Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Education Department Gallery (3 June 1922 – 24 June 1922)

Commercial Multi-artist exhibition. Located; Australia (NSW).

WORKS 21 – 38 of 38 IMAGES ONLY
Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The far shore

(1921)

drypoint

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Gypsy dance

(1919)

etching

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The harbour, St.Ives

(1920)

softground-etching with burnishing

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The home of the rooks

(1918)

line-etching

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The passing storm

(c.1919)

aquatint

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pumpkin patch, Windsor

(1921)

drypoint

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The shanty on the rise

(1922)

etching

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The terrace by the sea

(1921)

aquatint and burnishing

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The three barns.

(1921)

etching

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Tinsmith's shop, King Street, Sydney | Crabb's tinsmith's shop, King street, Sydney

(1921)

etching

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Victorian Tower

(c.1919)

softground etching and aquatint

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The waterhole

(1922)

etching

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

Elioth Gruner (1882–1939)

The wattles

((1921))

drypoint

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

The west window

(1922)

etching and drypoint

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

Norman Lindsay (1879–1969)

Unknown seas

(1922)

etching