Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Sedon Galleries [1] (26 November 1929 – 31 December 1929)

Multi-artist exhibition. Located: Australia (VIC).

Prints

WORKS 161 – 180 of 237 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The compliment

(1924)

etching

Henri Van Raalte (1881–1929)

The creek in flood.

James Flett (1906–1986)

The Dominican.

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The drafting gate, Bendemeer

(1925)

drypoint

Herbert Gallop (1890–1958)

The drinking pool.

(1920)

Thomas Friedensen (1879–1931)

The Drovers.

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Emperor | Head of a cock | The white cock | The white cockerel

(1922)

wood-engraving

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

Herbert Gallop (1890–1958)

The farm sheds.

(1922)

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The fountain

(1922)

wood-engraving

Thomas Friedensen (1879–1931)

The Grand Canal, Venice.

Sydney Long (1871–1955)

The Hawkesbury River at Wiseman's Ferry.

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Thelma Thompson (1920–)

The Hermitage Bell.

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Harold Herbert (1891–1945)

The hermitage, Martigue. | An old monastery, Les Martiques.

(c.1921)

drypoint

Norman Lindsay (1879–1969)

The Innocents.

James Flett (1906–1986)

The intruders.

Henri Van Raalte (1881–1929)

The Karri Tree glade.

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake, Avoca

(1926)

line-etching and drypoint

Lionel Lindsay (1874–1961)

The Law Courts.