7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

Multiple venues (3 December 1931 – 24 December 1931)

Multi-artist exhibition. Located: Australia (VIC).

Prints

WORKS 21 – 40 of 44 IMAGES ONLY
Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

Piccadilly Circus (under Reconstruction)

(1927)

etching

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

San Lorenzo in the Forum, Rome | A church on the Forum

(1928)

drypoint

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

St Ferreol, Marseilles

(1927)

drypoint

Artist: Cobb, Victor. | Title: The approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 (dated) | Technique: etching, printed in warm black ink, from one plate

Victor Cobb (1876–1945)

The approach to the old stables of Cobb and Co., Melbourne.

(1926 (dated))

etching

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The barber of Bou-Saada, Algeria

(1929)

etching

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Bassra guard | The Bazra Guard

(1929)

drypoint

Artist: Long, Sydney. | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The blacksmith's shop

((1928))

line-etching

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The broken fence

(1923)

wood-engraving

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

The broken plough

(c.1923)

etching

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Emperor | Head of a cock | The white cock | The white cockerel

(1922)

wood-engraving

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Harold Herbert (1891–1945)

The hermitage, Martigue. | An old monastery, Les Martiques.

(c.1921)

drypoint

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The leaning tree

(c.1927)

aquatint

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour inks, from multiple blocks

M. Napier Waller (1893–1972)

The man in black.

(1925)

linocut

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

The old gum

(c.1928)

etching

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

John Goodchild (1898–1980)

The port, London | The pool of London | The pool, London

(1928)

drypoint

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

M. Napier Waller (1893–1972)

The Ring | Sigurd

(1923)

wood-engraving

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

Christian Waller (1894–1954)

The Sorceress.

(c.1922)

linocut