Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Blaxland Galleries. [1]. (18 November 1929 – 30 November 1929)

Multi-artist exhibition. Located: Australia (NSW).

Prints, Paintings

WORKS 1 – 17 of 17 IMAGES ONLY
Artist: Morgan, Squire. | Title: Approaching Canberra | Date: c.1927 | Technique: etching

Squire Morgan (1886–1974)

Approaching Canberra

(c.1927)

etching

Artist: Barker, David. | Title: Bridge Street. | Date: (1930) | Technique: drypoint, printed in black ink, from one plate

David Barker (1888–1946)

Bridge Street.

((1930))

drypoint

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

Thomas Friedensen (1879–1931)

Caudebec, Normandy.

(1929)

etching and aquatint

Artist: Glover, Allan. | Title: Dawn | Date: 1929 | Technique: aquatint, printed in warm black ink, from one plate

Allan Glover (1900–1984)

Dawn

(1929)

aquatint

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

Farm corner.

(1923)

etching

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Hawkesbury landscape | Australian Landscape

(1924)

line-etching and aquatint

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

His ain fireside.

(1912?)

etching

Artist: SHIRLOW, John | Title: Kelly's Stairs. | Date: c.1929 | Technique: etching, printed in black ink, from one copper plate

John Shirlow (1869–1936)

Kelly's Stairs. | Kelly's Steps, Hobart

(c.1929)

etching

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Old houses, Chiddingstone

(1919)

line-etching and aquatint

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

Allan Glover (1900–1984)

Parker's cottage, Moonta Mines

(1929)

etching

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Tascot

(1928, after)

line-etching

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Allan Glover (1900–1984)

The Barn, Magill

(1929)

etching

Artist: Friedensen, Thomas. | Title: The bush madonna. | Date: 1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Thomas Friedensen (1879–1931)

The bush madonna.

(1930)

etching and aquatint

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Douglas Pratt (1900–1972)

The Sunlit Forge

(c.1929)

etching

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

The teamster.

(1923)

etching and rocker

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

Allan Glover (1900–1984)

Towards Treuer's and Karkarilla Moonta Mines

(1927)

etching and aquatint

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [1]

((1926))

drypoint