First Adelaide Exhibition of the Australasian Painter-Etchers' Society

First Adelaide Exhibition of the Australasian Painter-Etchers' Society

Institute Building [Adelaide]. (8 March 1922 – ?)

Multi-artist exhibition. Located: Australia (SA).

Prints

WORKS 81 – 100 of 265 IMAGES ONLY
Artist: LINDSAY, Norman | Title: Good morning | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

Norman Lindsay (1879–1969)

Good morning

(1921)

etching

Norman Lindsay (1879–1969)

Goodnight.

etching

Herbert Rose (1890–1937)

Half Moon Bay.

(c.1921)

etching

Alfred Coffey (1869–1950)

Half Wooden House, Gas Lane, Old Sydney. | Half Timber House, Gas Lane.

(1919)

Sydney Ure Smith (1887–1949)

Hawkesbury River Farm.

Fred Campbell (1851–1930)

Healesville.

aquatint

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Henry Lawson

(1919)

drypoint

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

His ain fireside.

(1912?)

etching

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1920)

etching and aquatint

A.H. Fullwood (1863–1930)

Home sweet home.

A.H. Fullwood (1863–1930)

Hyde Park, London.

Norman Lindsay (1879–1969)

Imperia.

(1920)

etching

Edith A. Hope (1870–1942)

In dock.

Fred Campbell (1851–1930)

In Southern Pastures.

aquatint

Alfred Coffey (1869–1950)

In the shade of the Casnarina.

(1915)

Jessie Traill (1881–1967)

Jewel Necklace.

aquatint

A.H. Fullwood (1863–1930)

Keat's House, Hampstead.

Bruce Robertson (1872–1943)

Kincraig, Elie, Fife.

etching

A.H. Fullwood (1863–1930)

King Edward VII's Visit to Eton. | King Edwards visit in Eton, 1904.

John Goodchild (1898–1980)

Kingston-on-Thames.

(1921)

etching