Lionel Lindsay (1874–1961)

Portrait of Norman Lindsay.

Peter Lely (1618–1680)

Portrait of the Beautiful Countess of Shrewsbury, from the original picture by Sir Peter lely, 1690. Size, 23½ x 19in. Framed in oak, with white mount and gilt slip.

Norman Lindsay (1879–1969)

Promise.

(1919)

Henri Van Raalte (1881–1929)

Red Gums.

(c.1918)

Bruce Robertson (1872–1943)

Rue de l'Cordonnerie, Dinan, France

(c.1930)

etching

Julian Ashton (1851–1942)

Study of a head.

(1893)

etching

Norman Lindsay (1879–1969)

The bride.

(1919)

Julian Ashton (1851–1942)

The class room.

(1893)

etching

David Barker (1888–1946)

The clock tower, Jaffa.

Norman Lindsay (1879–1969)

The curtain

(1919)

etching

Julian Ashton (1851–1942)

The curtsy. | The dancer

(1893)

etching

Norman Lindsay (1879–1969)

The dream merchant

(1920)

etching

Julian Ashton (1851–1942)

The ferry.

(1893)

Henri Van Raalte (1881–1929)

The gap thro' the trees. | The gap.

(1920)

David Barker (1888–1946)

The New Gate, Jerusalem.

Henri Van Raalte (1881–1929)

The old boat, Fremantle Bridge.

(c.1919)

S.T. Gill (1818–1880)

The plates are: City Railway Terminus, Sydney; Circular Quay, Sydney; General Post Office, Sydney; Dry Dock, Balmain; Avenue Approach to Botanical Gardens, Sydney; Australian Club House, Sydney.

Henri Van Raalte (1881–1929)

The shell.

(1920)

drypoint

Henri Van Raalte (1881–1929)

The swamp.

(c.1918)

Norman Lindsay (1879–1969)

The terrace.

(1920)