KING, Martin

KING, Martin

(1957–) Australian | Male

Worked: Australia (VIC, NT). Linocuts, lithographs, etchings

Artist (painter) | Printer | Printmaker | Teacher

WORKS 101 – 120 of 250 IMAGES ONLY

Jean Baptiste (Pulukatu) Apuatimi (1940–2013)

Kulama

(1999)

hardground-etching

Pedro Wonaeamirri (1974–)

Kulama

(2000)

etching

Artist: Wonaeamirri, Pedro. | Title: Kulama [blue state] | Date: 2000, February | Technique: etching, printed in black ink, from one plate | Copyright: © Pedro Wonaeamirri, Jilamara Arts and Craft

Pedro Wonaeamirri (1974–)

Kulama [blue state]

(2000, February)

etching

Artist: Coburn, John. | Title: La clemenza de tito | Date: 1996 | Technique: lithograph, printed in colour, from four stones

John Coburn (1925–2006)

La clemenza de tito

(1996)

lithograph

Artist: Furlonger, Joe. | Title: Leaving the pits | Date: 1992, May-July | Technique: etching and drypoint, printed in black ink, from one plate

Joe Furlonger (1952–)

Leaving the pits

(1992, May-July)

etching and drypoint

Artist: AMOR, Rick | Title: Lorimer Street | Date: 2001, July | Technique: etching, printed in black ink, from one plate | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Rick Amor (1948–)

Lorimer Street

(2001, July)

etching

Artist: Watson, Judy. | Title: Madame butterfly - an Australian story | Date: 1996 | Technique: lithograph, printed in colour, from two stones | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

Madame butterfly - an Australian story

(1996)

lithograph

Artist: Furlonger, Joe. | Title: Madonna and child (no.4) | Date: 1989 | Technique: etching, printed in black ink, from one plate

Joe Furlonger (1952–)

Madonna and child (no.4)

(1989)

etching

Artist: Furlonger, Joe. | Title: Madonna and child (no.6) | Date: 1989 | Technique: etching, printed in black ink, from one plate

Joe Furlonger (1952–)

Madonna and child (no.6)

(1989)

etching

Artist: Dickerson, Robert. | Title: Man in a hat. | Date: 2000, July | Technique: lithograph, printed in black ink, from one stone [or plate]

Robert Dickerson (1924–2015)

Man in a hat.

(2000, July)

lithograph

Tim Maguire (1958–)

Mandarin and cherries

(1996)

lithograph

Artist: Miller, Lewis. | Title: Martin King | Date: 1994 | Technique: etching, printed in black ink, from one plate | Copyright: © Lewis Miller. Licensed by VISCOPY, Australia

Lewis Miller (1959–)

Martin King

(1994)

etching

Artist: Jakupa [Junior], Pax. | Title: Mask | Date: 2005 | Technique: etching, printed in red and yellow ink, from two plates

Pax Jakupa [Junior] (1979–)

Mask

(2005)

etching

Artist: Furlonger, Joe. | Title: Mechanics | Date: 1992, May-July | Technique: etching and drypoint, printed in black ink, from one plate

Joe Furlonger (1952–)

Mechanics

(1992, May-July)

etching and drypoint

Artist: Miller, Lewis. | Title: Michael Barnett | Date: 1994 | Technique: etching, softground, roulette and drypoint, printed in black ink, from one plate | Copyright: © Lewis Miller. Licensed by VISCOPY, Australia

Lewis Miller (1959–)

Michael Barnett

(1994)

etching

Artist: Miller, Lewis. | Title: Michael Bell | Date: 1994 | Technique: etching, printed in black ink, from one plate | Copyright: © Lewis Miller. Licensed by VISCOPY, Australia

Lewis Miller (1959–)

Michael Bell

(1994)

etching

Artist: KING, Martin | Title: Mick Ward | Date: 1994 | Technique: etching, softground, printed in black ink, from one plate | Copyright: © Lewis Miller. Licensed by VISCOPY, Australia

Martin King (1957–)

Mick Ward

(1994)

etching

Artist: Cotton, Shane. | Title: Moerewa. | Date: 2004 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Shane Cotton, represented by Sherman Galleries, Sydney

Shane Cotton (1964–)

Moerewa.

(2004)

lithograph

Artist: Rooney, Robert. | Title: Monkey bars | Date: 1956 | Technique: etching, relief printed in black ink, from one plate | Copyright: Courtesy of Tolarno Galleries

Robert Rooney (1937–2017)

Monkey bars

(1956)

etching

Artist: White, Nigel. | Title: Moo/nay | Date: 1991 | Technique: drypoint, printed in sepia ink, from one plate

Nigel White (1958–)

Moo/nay

(1991)

drypoint