LONG, Sydney

LONG, Sydney | LONG, Sid | LONG, Sidney

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 21 – 40 of 268 IMAGES ONLY

Sydney Long (1871–1955)

Boatshed, Narrabeen.

Artist: LONG, Sydney | Title: Bookplate: Samuel Chotzinoff | Date: 1921 | Technique: line-etching, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Bookplate: Samuel Chotzinoff

(1921)

line-etching

Sydney Long (1871–1955)

Boyd's Boatshed, Narrabeen. | Boyd's Boatshed, Collaroy.

(c.1930)

line-etching

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Brisbane water

(1925)

line-etching

Artist: LONG, Sydney | Title: Calder House | Date: 1921 | Technique: line-etching, drypoint and sandgrain aquatint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Calder House

(1921)

line-etching

Sydney Long (1871–1955)

Camp in the forest.

Sydney Long (1871–1955)

Central Tower, University.

Sydney Long (1871–1955)

Chalk and Wash Drawing.

Sydney Long (1871–1955)

Chiddingstone*.

aquatint

Artist: LONG, Sydney | Title: Christ Church, Old Sydney | Date: (1926) | Technique: line-etching, drypoint printed with some plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Christ Church, Old Sydney

((1926))

line-etching

Sydney Long (1871–1955)

Christchurch.

etching

Artist: LONG, Sydney | Title: Christmas card: 1923 | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Christmas card: 1923

(1923)

line-etching

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Circular Quay, Sydney

(1926)

line-etching and drypoint

Sydney Long (1871–1955)

Dee Why.

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Dee Why landscape

(1928)

line-etching

Sydney Long (1871–1955)

Demolition, Waterloo Bridge, London.

Sydney Long (1871–1955)

Deserted.

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Drying sails

(c.1919)

line-etching and drypoint

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Dunster

(1927)

line-etching

Sydney Long (1871–1955)

Edge of the clearing.