LONG, Sydney

LONG, Sydney | LONG, Sid | LONG, Sidney

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 261 – 268 of 268 IMAGES ONLY

Sydney Long (1871–1955)

Willow Trees.

Artist: LONG, Sydney | Title: (Windmill) | Date: c.1919 | Technique: aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

(Windmill)

(c.1919)

aquatint

Sydney Long (1871–1955)

Windmill Street, Old Sydney.

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [1]

((1926))

drypoint

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1]. | Date: 1926 | Technique: drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [1].

(1926)

drypoint

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [2]. | Date: 1928 | Technique: etching and aquatint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [2].

(1928)

etching and aquatint

Sydney Long (1871–1955)

Working Proof for the Demolition of Waterloo Bridge etching Not for Sale (Kindly lent by Mr Gifford).

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Young Kookaburras

(1925)

line-etching and drypoint