LONG, Sydney

LONG, Sydney | LONG, Sid | LONG, Sidney

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 221 – 240 of 268 IMAGES ONLY

Sydney Long (1871–1955)

The little boat shed. | The little boatshed.

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint

Artist: LONG, Sydney | Title: The market place, Bruges | Date: 1920 | Technique: line-etching, drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The market place, Bruges

(1920)

line-etching

Sydney Long (1871–1955)

The Mill.

Sydney Long (1871–1955)

The Mill by the River.

(1930?)

line-etching

Artist: LONG, Sydney | Title: The old hut. | Date: 1922 | Technique: drypoint, printed in black ink, from one plate; with pencil additions | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old hut.

(1922)

drypoint

Artist: LONG, Sydney | Title: The Old landing jetty, Hawksbury | Date: 1928, before | Technique: line-etching, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Old landing jetty, Hawksbury

(1928, before)

line-etching

Artist: LONG, Sydney | Title: The old mill | Date: 1919 | Technique: line-etching, sandgrain-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old mill

(1919)

line-etching

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old parchment mills | Old parchment mills on the River Wandle

(1920)

line-etching and drypoint

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old shot and powder works | The shot tower on The Thames, London | The shot tower, London

(1925)

line-etching

Sydney Long (1871–1955)

The old wooden ship.

etching

Sydney Long (1871–1955)

'The Open Gate' chalk drawing.

Sydney Long (1871–1955)

The Parchment Mills.

etching

Sydney Long (1871–1955)

The Parchment Mills.

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The passing storm

(c.1919)

aquatint

Sydney Long (1871–1955)

The Pool.

etching

Sydney Long (1871–1955)

The quiet corner.

Artist: LONG, Sydney | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The reflected mill

(1919)

line-etching and aquatint

Sydney Long (1871–1955)

The river at Blackfriars.

(after 1928)

line-etching

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The river from Blackfriars Bridge | The Thames from Blackfriars Bridge, London

(1925)

line-etching