LONG, Sydney

LONG, Sydney | LONG, Sid | LONG, Sidney

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 181 – 200 of 268 IMAGES ONLY
Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Tascot

(1928, after)

line-etching

Artist: LONG, Sydney | Title: The Arun at Pulborough | Date: 1923 | Technique: drypoint and burnishing, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Arun at Pulborough

(1923)

drypoint and burnishing

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The blacksmith's shop

((1928))

line-etching

Sydney Long (1871–1955)

The boatshed. | Boatshed at Collaroy.

(after 1928)

etching

Sydney Long (1871–1955)

The Boston Stump.

(c.1937)

line-etching

Sydney Long (1871–1955)

The Bridge.

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The bridge, Avoca

(1926)

line-etching and drypoint printed in black ink with plate-tone

Sydney Long (1871–1955)

The bridge, Narrabeen.

Sydney Long (1871–1955)

The bush pub. | Old ruined pub at Gosford, NSW.

(after 1928)

line-etching

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The camp in the forest

(1920)

softground-etching

Sydney Long (1871–1955)

The derelict.

(c.1937)

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The deserted selection. | The old hut.

(1923)

line-etching

Sydney Long (1871–1955)

The distant dome.

Sydney Long (1871–1955)

'The Dredge'.

Sydney Long (1871–1955)

The Edge of the Lagoon.

Sydney Long (1871–1955)

The Etched Work of Sydney Long, A.R.E. Sydney, The Attic Press, 1928.

(1928)

letterpress

Artist: LONG, Sydney | Title: The green gate | Date: 1928, before | Technique: drypoint, printed in blue ink from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The green gate

(1928, before)

drypoint

Sydney Long (1871–1955)

The Harbor from McMahon's Point.

etching

Sydney Long (1871–1955)

The Harbour.

etching