LONG, Sydney

LONG, Sydney | LONG, Sid | LONG, Sidney

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 1 – 20 of 268 IMAGES ONLY

Sydney Long (1871–1955)

A collection of 110 prints by Sydney Long.

(various)

various

Artist: LONG, Sydney | Title: A Cornish landscape | Date: 1919 | Technique: aquatint and softground-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A Cornish landscape

(1919)

aquatint and softground-etching

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A Cornish landscape

((1919))

softground

Sydney Long (1871–1955)

A Mill in Surry.

Sydney Long (1871–1955)

A Sandgrain Pastoral.

Sydney Long (1871–1955)

A Surrey mill.

(1928)

line-etching and foul biting

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A windy day

(1927)

line-etching

Artist: LONG, Sydney | Title: Australian koalas | Date: 1928, after | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Australian koalas

(1928, after)

etching

Sydney Long (1871–1955)

Autumn.

etching

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Autumn landscape | Autumn landscape, Epping

(1920)

line-etching

Artist: LONG, Sydney | Title: Autumn, Bucks | Date: 1928 | Technique: line-etching, drypoint printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Autumn, Bucks

(1928)

line-etching

Sydney Long (1871–1955)

Avoca landscape.

Sydney Long (1871–1955)

Badnage Landscape.

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Becalmed | Off to the fishing grounds

(c.1919)

line-etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Beddington Corner

(1922)

softground-etching and aquatint

Sydney Long (1871–1955)

Belfry, Bruges.

etching

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Bennett's End. Bucks

(1927)

etching

Sydney Long (1871–1955)

Berowra Creek.

etching

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Berry's Bay

(1926)

line-etching and drypoint

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Between the showers

((1916))

line-etching and drypoint