Long, Sydney.

Long, Sydney. | Long, Sid.

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 101 – 115 of 115 IMAGES ONLY
Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: aquatint and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

aquatint and drypoint

Artist: Long, Sydney. | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Thames from Waterloo Bridge

((1919))

line-etching

Artist: Long, Sydney. | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Victorian Tower

(c.1919)

softground etching and aquatint

Artist: Long, Sydney. | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The water meads

(1928)

line-etching

Artist: Long, Sydney. | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The wooden ship

(1922)

etching and drypoint

Artist: Long, Sydney. | Title: Ti-tree, Avoca | Date: 1928, before | Technique: line-etching, drypoint, printed in black ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Ti-tree, Avoca

(1928, before)

line-etching

Artist: Long, Sydney. | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Turkeys and pumpkins | Turkeys

(1925)

line-etching and drypoint

Artist: Long, Sydney. | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Waterloo Bridge in course of demolition

(1928)

line-etching

Artist: Long, Sydney. | Title: Westminster | Date: 1920 | Technique: line-etching and drypoint, printed in warm brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Westminster | House of Parliament, London

(1920)

line-etching and drypoint

Artist: Long, Sydney. | Title: (Windmill) | Date: c.1919 | Technique: aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

(Windmill)

(c.1919)

aquatint

Artist: Long, Sydney. | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [1]

((1926))

drypoint

Artist: Long, Sydney. | Title: Windmill Street, Old Sydney [1]. | Date: 1926 | Technique: drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [1].

(1926)

drypoint

Artist: Long, Sydney. | Title: Windmill Street, Old Sydney [2]. | Date: 1928 | Technique: etching and aquatint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [2].

(1928)

etching and aquatint

Artist: Long, Sydney. | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Young Kookaburras

(1925)

line-etching and drypoint