LONG, Sydney

LONG, Sydney | LONG, Sid | LONG, Sidney

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 61 – 80 of 114 IMAGES ONLY
Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

St. Albans

(1918)

line-etching and drypoint

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

St. Paul's from the river

(1920)

line-etching

Artist: LONG, Sydney | Title: St. Stephen's, Camperdown | Date: 1928, after | Technique: line-etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

St. Stephen's, Camperdown

(1928, after)

line-etching and aquatint

Artist: LONG, Sydney | Title: St.Ives, Cornwall | Date: (1928) | Technique: line-etching and drypoint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

St.Ives, Cornwall | Harbour, St.Ives, Cornwall

((1928))

line-etching and drypoint

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Staples Inn, Holborn

(c.1919)

sandgrain-aquatint

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Station Square [1]

(1927)

line-etching

Artist: LONG, Sydney | Title: Strand on the green No. 3 | Date: 1923 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Strand on the green No. 3

(1923)

line-etching and drypoint

Artist: LONG, Sydney | Title: Strand on the green No.3 | Date: 1923 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Strand on the green No.3

(1923)

line-etching and drypoint

Artist: LONG, Sydney | Title: Strand on the green No.3 | Date: 1923 | Technique: line-etching, drypoint, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Strand on the green No.3

(1923)

line-etching

Artist: LONG, Sydney | Title: Strand on the green, No.1 | Date: c.1923 | Technique: line-etching, printed in brown ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Strand on the green, No.1

(c.1923)

line-etching

Artist: LONG, Sydney | Title: Strand on the green, No.2 | Date: c.1923 | Technique: line-etching, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Strand on the green, No.2

(c.1923)

line-etching

Artist: LONG, Sydney | Title: Strand on the Green, No.3 | Date: 1923 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Strand on the Green, No.3

(1923)

line-etching and drypoint

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Tascot

(1928, after)

line-etching

Artist: LONG, Sydney | Title: The Arun at Pulborough | Date: 1923 | Technique: drypoint and burnishing, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Arun at Pulborough

(1923)

drypoint and burnishing

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The blacksmith's shop

((1928))

line-etching

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The bridge, Avoca

(1926)

line-etching and drypoint printed in black ink with plate-tone

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The camp in the forest

(1920)

softground-etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The deserted selection. | The old hut.

(1923)

line-etching

Artist: LONG, Sydney | Title: The green gate | Date: 1928, before | Technique: drypoint, printed in blue ink from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The green gate

(1928, before)

drypoint