Long, Sydney.

Long, Sydney. | Long, Sid.

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 41 – 60 of 114 IMAGES ONLY
Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Moonrise pastoral

(1918)

aquatint

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Moonrise pastoral | Pastoral aquatint

(1918)

aquatint

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Old houses, Chiddingstone

(1919)

line-etching and aquatint

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Old houses, Worcester

(c.1919)

drypoint

Artist: LONG, Sydney | Title: Old water Mill, Petertavy | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Old water Mill, Petertavy

(1928, after)

line-etching

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

On the Wandle

(1920)

line-etching and drypoint

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Palm Beach

(1926)

line-etching

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pan

(1919)

line-etching and aquatint

Artist: LINDSAY, Lionel | Title: Pastoral | Date: 1918 | Technique: softground-etching, and aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Pastoral

(1918)

softground-etching

Artist: LINDSAY, Lionel | Title: Pastoral | Date: 1918 | Technique: softground-etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Pastoral

(1918)

softground-etching and aquatint

Artist: LONG, Sydney | Title: Pastoral aquatint | Date: 1921 | Technique: drypoint, aquatint printted in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral aquatint

(1921)

drypoint

Artist: LONG, Sydney | Title: Pastoral landscape | Date: 1928, after | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral landscape

(1928, after)

line-etching and drypoint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral sandgrain

(1918)

aquatint

Artist: LONG, Sydney | Title: Pastoral softground | Date: 1918 | Technique: softground-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral softground | Sofground Pastoral

(1918)

softground-etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Porte Marechale, Bruges

(c.1919)

line-etching

Artist: LONG, Sydney | Title: Radnage, Bucks | Date: 1920 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Radnage, Bucks | Landscape, Radnage Bucks

(1920)

line-etching

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Reflections, Avoca

((1928))

line-etching

Artist: LONG, Sydney | Title: Reminiscences - a derelict | Date: 1928, before | Technique: drypoint, printed in black ink, from one Zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Reminiscences - a derelict | The derelict, Narrabeen (AGNSW)

(1928, before)

drypoint

Artist: LONG, Sydney | Title: Rose Bay in 1908 | Date: 1927 | Technique: line-etching, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Rose Bay in 1908 | Rose Bay as it was in 1909

(1927)

line-etching

Artist: LONG, Sydney | Title: Small pastoral | Date: (1921) | Technique: drypoint and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Small pastoral

((1921))

drypoint and aquatint