LONG, Sydney

LONG, Sydney | LONG, Sid | LONG, Sidney

(1871–1955) Australian | Male

Worked: Australia (NSW), England. Etchings, Monotypes

Artist (painter) | Artist (water-colouristist) | Drawer | Painter | Printmaker | Teacher

WORKS 1 – 20 of 114 IMAGES ONLY
Artist: LONG, Sydney | Title: A Cornish landscape | Date: 1919 | Technique: aquatint and softground-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A Cornish landscape

(1919)

aquatint and softground-etching

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A Cornish landscape

((1919))

softground

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A windy day

(1927)

line-etching

Artist: LONG, Sydney | Title: Australian koalas | Date: 1928, after | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Australian koalas

(1928, after)

etching

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Autumn landscape | Autumn landscape, Epping

(1920)

line-etching

Artist: LONG, Sydney | Title: Autumn, Bucks | Date: 1928 | Technique: line-etching, drypoint printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Autumn, Bucks

(1928)

line-etching

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Becalmed | Off to the fishing grounds

(c.1919)

line-etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Beddington Corner

(1922)

softground-etching and aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Bennett's End. Bucks

(1927)

etching

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Berry's Bay

(1926)

line-etching and drypoint

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Between the showers

((1916))

line-etching and drypoint

Artist: LONG, Sydney | Title: Bookplate: Samuel Chotzinoff | Date: 1921 | Technique: line-etching, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Bookplate: Samuel Chotzinoff

(1921)

line-etching

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Brisbane water

(1925)

line-etching

Artist: LONG, Sydney | Title: Calder House | Date: 1921 | Technique: line-etching, drypoint and sandgrain aquatint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Calder House

(1921)

line-etching

Artist: LONG, Sydney | Title: Christ Church, Old Sydney | Date: (1926) | Technique: line-etching, drypoint printed with some plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Christ Church, Old Sydney

((1926))

line-etching

Artist: LONG, Sydney | Title: Christmas card: 1923 | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Christmas card: 1923

(1923)

line-etching

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Circular Quay, Sydney

(1926)

line-etching and drypoint

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Dee Why landscape

(1928)

line-etching

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Drying sails

(c.1919)

line-etching and drypoint

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Dunster

(1927)

line-etching