PORT JACKSON PRESS

PORT JACKSON PRESS | MILLER STREET WORKSHOP

(1975–) Australian | Organisation

Print publisher. Located: Australia (NSW, VIC)

Printer | Publisher

WORKS 41 – 60 of 170 IMAGES ONLY
Artist: Olsen, John. | Title: Echidna and sun man. | Date: 1979 | Technique: lithograph, printed in colour, from three plates | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Echidna and sun man.

(1979)

lithograph

Artist: Olsen, John. | Title: Edge of the void | Date: 1975 | Technique: etching and sugarlift-aquatints, each printed in black ink, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Edge of the void

(1975)

etching and sugarlift-aquatints

Artist: Olsen, John. | Title: Emus by the lake | Date: 1975 | Technique: etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Emus by the lake

(1975)

etching

Artist: MEYER, Bill | Title: Energy across converging gaps | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Energy across converging gaps

(1981)

photo-etching

Artist: Shead, Garry. | Title: Enigma | Date: 1975 | Technique: etching, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

Enigma

(1975)

etching

Artist: Looby, Keith. | Title: Eureka landscape | Date: 1977 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Keith Looby

Keith Looby (1940–)

Eureka landscape

(1977)

etching and aquatint

Artist: Rees, Lloyd. | Title: Farm house Majorca | Date: 1976 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Farm house Majorca

(1976)

softground-etching

Artist: MEYER, Bill | Title: Fitzroy Crossing | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate (mitsui, pre-coated) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Fitzroy Crossing

(1981)

photo-etching

Artist: Olsen, John. | Title: Flowers and storm | Date: 1976 | Technique: aquatint and deep etching, printed in warm black ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Flowers and storm

(1976)

aquatint and deep etching

Artist: Bulunbulun, Johnny. | Title: Flying foxes | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Johnny Bulunbulun. Licensed by VISCOPY, Australia

Johnny Bulunbulun (1946–)

Flying foxes

(1979)

screenprint

Artist: Olsen, John. | Title: Frog and the lake | Date: 1976 | Technique: sugarlift and engraving, printed in black ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Frog and the lake

(1976)

sugarlift and engraving

Artist: Olsen, John. | Title: Frog jumping | Date: 1975 | Technique: etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Frog jumping

(1975)

etching

Artist: MEYER, Bill | Title: From the light came loving | Date: 1981 | Technique: screenprint, printed in colour, from eight stencils (indirect photo stencils from charcoal on acetate and photo half-tones) | Copyright: © Bill Meyer

Bill Meyer (1942–)

From the light came loving

(1981)

screenprint

Artist: Olsen, John. | Title: Frontispiece | Date: 1979 | Technique: lithograph | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Frontispiece

(1979)

lithograph

Artist: MEYER, Bill | Title: Gap with angles of order | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gap with angles of order

(1981)

photo-etching

Artist: MEYER, Bill | Title: Gapscape | Date: 1980-81 | Technique: screenprint, printed in colour, from four stencils (charcoal on acetate for indirect stencils and half tone photo images) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gapscape | Gap kebab

(1980-81)

screenprint

Artist: MEYER, Bill | Title: Generations | Date: 1991 | Technique: screenprint, printed in twelve colours, from multiple screens, reduction, direct | Copyright: © Bill Meyer

Bill Meyer (1942–)

Generations | Dor Ve Dor [from generation to generation]

(1991)

screenprint

Artist: MEYER, Bill | Title: Genetic light | Date: 1981 | Technique: screenprint, printed in colour, from five stencils (photo and hand-cut, indirect) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Genetic light

(1981)

screenprint

Artist: Sharp, Martin. | Title: Ginger in Japan | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

Martin Sharp (1942–2013)

Ginger in Japan

(1981)

screenprint

Artist: MILAYBUMA, David | Title: Goanna, tree and fish | Date: 1979 | Technique: screenprint, printed in colour, from three stencils

David Milaybuma (1938–1993)

Goanna, tree and fish

(1979)

screenprint