PORT JACKSON PRESS

PORT JACKSON PRESS | MILLER STREET WORKSHOP

(1975–) Australian | Organisation

Print publisher. Located: Australia (NSW, VIC)

Printer | Publisher

WORKS 101 – 120 of 156 IMAGES ONLY
Artist: Schaller, Mark. | Title: Pelicans | Date: 2002 | Technique: etching, printed in colour, from multiple plates

Mark Schaller (1962–)

Pelicans

(2002)

etching

Artist: Rees, Lloyd. | Title: Plaza Soller, Majorca | Date: 1976 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Plaza Soller, Majorca

(1976)

softground-etching

Artist: MEYER, Bill | Title: Points beyond intersecting | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Points beyond intersecting

(1981)

photo-etching

Artist: Olsen, John. | Title: Portfolio cover | Date: 1976 | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Portfolio cover

(1976)

Artist: Pople, Rodney. | Title: Pussy willow | Date: 2002 | Technique: etching, printed in brown ink with plate-tone, from one plate

Rodney Pople (1952–)

Pussy willow

(2002)

etching

Artist: Rees, Lloyd. | Title: Quiet day on the harbour | Date: 1980 | Technique: transfer-lithograph, printed in grey ink, from one aluminium plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Quiet day on the harbour

(1980)

transfer-lithograph

Artist: MEYER, Bill | Title: Ramallah | Date: 1992 | Technique: drypoint and roulette, printed in colour a la poupée, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Ramallah

(1992)

drypoint and roulette

Artist: MEYER, Bill | Title: Ramot | Date: 1992 | Technique: etching, printed in red yellow and green ink a la poupée, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Ramot

(1992)

etching

Artist: Miller, Max. | Title: Screen (a) | Date: 1975 | Technique: etching, aquatint, openbite, printed from two plates

Max Miller (1940–)

Screen (a)

(1975)

etching

Artist: Miller, Max. | Title: Screen (b) | Date: 1975 | Technique: etching, aquatint, openbite, printed from two plates

Max Miller (1940–)

Screen (b)

(1975)

etching

Artist: Miller, Max. | Title: Slide | Date: 1976 | Technique: aquatint and drypoint, printed in colour

Max Miller (1940–)

Slide

(1976)

aquatint and drypoint

Artist: Rees, Lloyd. | Title: Spanish village | Date: 1976 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Spanish village

(1976)

softground-etching

Artist: Looby, Keith. | Title: Sportsman Club | Date: 1977 | Technique: etching and aquatint, printed in brown ink, from one plate | Copyright: © Keith Looby

Keith Looby (1940–)

Sportsman Club

(1977)

etching and aquatint

Artist: MEYER, Bill | Title: Stoned, untimed gap | Date: 1981 | Technique: screenprint, printed in colour, from nine stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Stoned, untimed gap

(1981)

screenprint

Artist: Aspden, David. | Title: Sub aqua. | Date: 1976 | Technique: woodcut, printed in blue ink, from one block

David Aspden (1935–2005)

Sub aqua.

(1976)

woodcut

Artist: Dunlop, Brian. | Title: Sunlight and shadow | Date: c1984 | Technique: lithograph, printed in black ink, from one stone

Brian Dunlop (1938–2009)

Sunlight and shadow

(c1984)

lithograph

Artist: Dunlop, Brian. | Title: Sunlight on a chair | Date: c1984 | Technique: lithograph, printed in black ink, from one stone

Brian Dunlop (1938–2009)

Sunlight on a chair

(c1984)

lithograph

Artist: Dooney, Hazel. | Title: Survival | Date: 2002 | Technique: etching, printed in colour, from two plates

Hazel Dooney (1978–)

Survival

(2002)

etching

Artist: Rees, Lloyd. | Title: The Balmain Buoy | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

The Balmain Buoy

(1978)

softground etching

Artist: Olsen, John. | Title: The Christ bird arrives | Date: 1975 | Technique: sugarlift etching, engraving and aquatint, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

The Christ bird arrives

(1975)

sugarlift etching