PORT JACKSON PRESS

PORT JACKSON PRESS | MILLER STREET WORKSHOP

(1975–) Australian | Organisation

Print publisher. Located: Australia (NSW, VIC)

Printer | Publisher

WORKS 21 – 40 of 156 IMAGES ONLY
Artist: MEYER, Bill | Title: Bore puri ha etz [fruits of the tree] | Date: 1981 | Technique: screenprint, printed in colour, from seven stencils (indirect emulsion film, hand cut stencil film, acetate/charcoal, photo images) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Bore puri ha etz [fruits of the tree]

(1981)

screenprint

Artist: Dunlop, Brian. | Title: Breeze from outside | Date: c1984 | Technique: lithograph, printed in black ink, from one stone

Brian Dunlop (1938–2009)

Breeze from outside

(c1984)

lithograph

Artist: MEYER, Bill | Title: Bush menorah | Date: 1987 | Technique: screenprint, printed in nine colours, from one direct emulsion reduction screen and two hand drawn with charcoal on acetate for indirect photo reduction stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Bush menorah

(1987)

screenprint

Artist: MEYER, Bill | Title: Bush study blue | Date: 1987 | Technique: screenprint, printed in ten colours, from one direct emulsion reduction screen and one hand drawn charcoal on acetate indirect photo screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

Bush study blue

(1987)

screenprint

Artist: Rees, Lloyd. | Title: Cliff face, Central Australia | Date: 1977 | Technique: softground-etching, printed in brown ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Cliff face, Central Australia

(1977)

softground-etching

Artist: Coburn, John. | Title: Constellation I. | Date: 1978 | Technique: aquatint, printed in colour, from two zinc plates

John Coburn (1925–2006)

Constellation I.

(1978)

aquatint

Artist: Olsen, John. | Title: Coopers Creek enters the void | Date: 1975 | Technique: sugarlift-aquatint, engraving and aquatint, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Coopers Creek enters the void

(1975)

sugarlift-aquatint

Artist: Olsen, John. | Title: Coopers creek in flood | Date: 1976 | Technique: sugarlift-aquatint and engraving, printed in warm black ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Coopers creek in flood

(1976)

sugarlift-aquatint and engraving

Artist: MEYER, Bill | Title: Cosmic cheese cutter | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate (mitsui pre-coated photo-engraving plate) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cosmic cheese cutter

(1981)

photo-etching

Artist: MILAYBUMA, David | Title: Crocodile, barramundi and yabbie | Date: 1979 | Technique: screenprint, printed in colour, from three stencils

David Milaybuma (1938–1993)

Crocodile, barramundi and yabbie

(1979)

screenprint

Artist: MEYER, Bill | Title: Cross wired in time persisting | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cross wired in time persisting

(1981)

photo-etching

Artist: MEYER, Bill | Title: Cuts and little floating bits | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate (pre-coated photo-engraving mitsui) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cuts and little floating bits | Cuts and little floating things

(1981)

photo-etching

Artist: Aspden, David. | Title: Dark mirror. | Date: 1976 | Technique: woodcut, printed in brown ink, from one block

David Aspden (1935–2005)

Dark mirror.

(1976)

woodcut

Artist: Olsen, John. | Title: Dead fish | Date: 1976 | Technique: aquatint and etching, printed in black ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Dead fish

(1976)

aquatint and etching

Artist: MAKIN, Jeffrey | Title: Desert Boabs | Date: 2002 | Technique: etching, printed in colour with plate-tone, from one plate

Jeffrey Makin (1943–)

Desert Boabs

(2002)

etching

Artist: Rees, Lloyd. | Title: Dusk on the Harbour | Date: 1978 | Technique: softground etching, printed in blue ink, from one zinc plate; hand-coloured in watercolour by David Rankin | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Dusk on the Harbour

(1978)

softground etching

Artist: Olsen, John. | Title: Echidna and sun man. | Date: 1979 | Technique: lithograph, printed in colour, from three plates | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Echidna and sun man.

(1979)

lithograph

Artist: Olsen, John. | Title: Edge of the void | Date: 1975 | Technique: etching and sugarlift-aquatints, each printed in black ink, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Edge of the void

(1975)

etching and sugarlift-aquatints

Artist: Olsen, John. | Title: Emus by the lake | Date: 1975 | Technique: etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Emus by the lake

(1975)

etching

Artist: MEYER, Bill | Title: Energy across converging gaps | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Energy across converging gaps

(1981)

photo-etching