MEYER, Bill

MEYER, Bill | MEYER, Chaim | MEYER, William

(1942–) Australian | Male

Worked: Australia (VIC), England. Screenprints, Etchings

Artist (painter) | Film maker | Printmaker | Sculptor | Teacher

WORKS 301 – 320 of 367 IMAGES ONLY
Artist: MEYER, Bill | Title: Strolling in Geulah | Date: 1992 | Technique: etching, printed in mustard ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Strolling in Geulah

(1992)

etching

Artist: MEYER, Bill | Title: Structural landscape (Cows) | Date: 1972 | Technique: screenprint, printed in colour, from five stencils (direct emulsion and blockout) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Structural landscape (Cows)

(1972)

screenprint

Artist: MEYER, Bill | Title: Study for Holcombe Forest | Date: 1988 | Technique: screenprint, printed in six colours, from one direct emulsion reduction screen and one hand drawn with charcoal on acetate for indirect photo screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

Study for Holcombe Forest

(1988)

screenprint

Artist: MEYER, Bill | Title: Suck | Date: 1972 | Technique: screenprint, printed in colour, from seven stencils (direct emulsion and block-out) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Suck

(1972)

screenprint

Artist: MEYER, Bill | Title: Suck two | Date: 1972 | Technique: screenprint, printed in colour, from seven stencils (direct emulsion and screen block-outs) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Suck two | Suck too

(1972)

screenprint

Artist: MEYER, Bill | Title: Summer wall | Date: 1981 | Technique: screenprint, printed in four colours, from four screens (photo indirect) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Summer wall

(1981)

screenprint

Artist: MEYER, Bill | Title: Sunday in the park. Information sheets No. 4 | Date: 1972 | Technique: photo-screenprint, printed in colour, from eleven stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Sunday in the park. Information sheets No. 4

(1972)

photo-screenprint

Artist: MEYER, Bill | Title: Supportative view | Date: 1981 | Technique: screenprint, printed in six colours, from five screens (indirect photo screens half-tones and open blockout) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Supportative view | A supportative view, Etz Chaim

(1981)

screenprint

Artist: MEYER, Bill | Title: Tarilta | Date: 1992 | Technique: etching, printed in 2 colours, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Tarilta

(1992)

etching

Artist: MEYER, Bill | Title: Tarilta forest misting | Date: 1988 | Technique: screenprint, printed in eight colours, from four stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Tarilta forest misting

(1988)

screenprint

Artist: MEYER, Bill | Title: The Earth, I die | Date: 1970 | Technique: screenprint, printed in nine colours, from hand cut, open screen and photo ortho screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

The Earth, I die

(1970)

screenprint

Artist: MEYER, Bill | Title: The final gap. | Date: 1980 | Technique: screenprint, printed in seven colours, from multiple screens (half tone photo and charcoal on acetate for indirect stencils) | Copyright: © Bill Meyer

Bill Meyer (1942–)

The final gap.

(1980)

screenprint

Artist: MEYER, Bill | Title: The first Gap. | Date: 1979-1981 | Technique: screenprint, printed in seven colours, from multiple screens | Copyright: © Bill Meyer

Bill Meyer (1942–)

The first Gap.

(1979-1981)

screenprint

Artist: MEYER, Bill | Title: The Gap sings wordlessly | Date: 1981 | Technique: screenprint, printed in black, green and grey ink, from six stencils (photo-indirect) | Copyright: © Bill Meyer

Bill Meyer (1942–)

The Gap sings wordlessly

(1981)

screenprint

Artist: MEYER, Bill | Title: There is a time | Date: 1971 | Technique: screenprint, printed in six colours, from multiple stencils (including hand cut, direct and photo ortho stencils) | Copyright: © Bill Meyer

Bill Meyer (1942–)

There is a time | Moratorium

(1971)

screenprint

Artist: MEYER, Bill | Title: Things that go bump. | Date: 1968 | Technique: etching, aquatint and drypoint, printed in black ink, from one copper plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Things that go bump.

(1968)

etching

Artist: MEYER, Bill | Title: Three moons | Date: 1969 | Technique: line etching, aquatint and drypoint, printed in black ink, from one copper plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Three moons | Three Frames

(1969)

line etching

Artist: MEYER, Bill | Title: Times Square, Boney Dukes | Date: 1974-75 | Technique: screenprint, printed in colour, from multiple screens (photo colour separations and hand cut stencils) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Times Square, Boney Dukes

(1974-75)

screenprint

Artist: MEYER, Bill | Title: Title page to Gap Portfolio | Date: 1980 | Technique: screenprint, printed in black ink, from one stencil (text, photo-positive for indirect stencil) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Title page to Gap Portfolio

(1980)

screenprint

Bill Meyer (1942–)

To lie awake at night.

(1971)

screenprint