MEYER, Bill

MEYER, Bill | MEYER, Chaim | MEYER, William

(1942–) Australian | Male

Worked: Australia (VIC), England. Screenprints, Etchings

Artist (painter) | Film maker | Printmaker | Sculptor | Teacher

WORKS 121 – 140 of 355 IMAGES ONLY
Artist: MEYER, Bill | Title: Forest rising | Date: 1986 | Technique: photo-screenprint, printed in colour, from eight stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Forest rising

(1986)

photo-screenprint

Artist: MEYER, Bill | Title: Forest survivor | Date: 1992 | Technique: etching, printed in brown-black charbonnel ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Forest survivor

(1992)

etching

Artist: MEYER, Bill | Title: From the light came loving | Date: 1981 | Technique: screenprint, printed in colour, from eight stencils (indirect photo stencils from charcoal on acetate and photo half-tones) | Copyright: © Bill Meyer

Bill Meyer (1942–)

From the light came loving

(1981)

screenprint

Artist: MEYER, Bill | Title: Fugue amd breakthrough | Date: 1981 | Technique: screenprint, printed in seven colours, from five screens | Copyright: © Bill Meyer

Bill Meyer (1942–)

Fugue amd breakthrough

(1981)

screenprint

Artist: MEYER, Bill | Title: Gap | Date: 1969-1971 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gap

(1969-1971)

lithograph

Artist: MEYER, Bill | Title: Gap space & order | Date: 1980-81 | Technique: screenprint, printed in ten colours, from multiple screens (includes colour separation photo image, half tones and reduction screen) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gap space & order | Gapoid space and order.

(1980-81)

screenprint

Artist: MEYER, Bill | Title: Gap with abandoned crossing | Date: 1981 | Technique: photo-etching, aquatint and drypoint, printed in black ink, from one zinc plate (precoated mitsui photo-etch plates) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gap with abandoned crossing

(1981)

photo-etching

Artist: MEYER, Bill | Title: Gap with angles of order | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gap with angles of order

(1981)

photo-etching

Artist: MEYER, Bill | Title: Gapoid energy and form | Date: 1969-71 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gapoid energy and form | Movement over gap

(1969-71)

lithograph

Artist: MEYER, Bill | Title: Gapscape | Date: 1980-81 | Technique: screenprint, printed in colour, from four stencils (charcoal on acetate for indirect stencils and half tone photo images) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gapscape | Gap kebab

(1980-81)

screenprint

Artist: MEYER, Bill | Title: Gate at Geulah | Date: 1992 | Technique: etching, printed in buff ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gate at Geulah

(1992)

etching

Artist: MEYER, Bill | Title: Generations | Date: 1991 | Technique: screenprint, printed in twelve colours, from multiple screens, reduction, direct | Copyright: © Bill Meyer

Bill Meyer (1942–)

Generations | Dor Ve Dor [from generation to generation]

(1991)

screenprint

Artist: MEYER, Bill | Title: Genesis unchained - COUM | Date: 1973 | Technique: photo-screenprint, printed in dark blue ink, from one screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

Genesis unchained - COUM | Genesis Unchained- Poster for Throbbing Gristle

(1973)

photo-screenprint

Artist: MEYER, Bill | Title: Genetic light | Date: 1981 | Technique: screenprint, printed in colour, from five stencils (photo and hand-cut, indirect) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Genetic light

(1981)

screenprint

Artist: MEYER, Bill | Title: Geodisy | Date: 1981 | Technique: screenprint, printed in seven colours, from four screens (handcut and photo direct and indirect) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Geodisy

(1981)

screenprint

Artist: MEYER, Bill | Title: Geometry of nocturnal metaphysics | Date: 1980 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Geometry of nocturnal metaphysics

(1980)

etching and aquatint

Artist: MEYER, Bill | Title: Gerim | Date: 1982 | Technique: etching and aquatint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Gerim

(1982)

etching and aquatint

Artist: MEYER, Bill | Title: Grabble Grabble | Date: 1987 | Technique: screenprint, printed in colour, from multiple stencils (direct, reduction, blockout and indirect line, photo) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Grabble Grabble

(1987)

screenprint

Artist: MEYER, Bill | Title: Grass monolith green | Date: 1987 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Grass monolith green | Tzim Tzum (#27800 - original reference)

(1987)

screenprint

Artist: MEYER, Bill | Title: Grass monolith green straw | Date: 1987 | Technique: screenprint, printed in seven colours, from one direct emulsion reduction screen, two duotone screens and one hand drawn with charcoal on acetate for indirect photo screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

Grass monolith green straw

(1987)

screenprint