Super Great Power House.

Jessie Traill (1881–1967)

Super Great Power House.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

Catalogue of the Fourth Annual Exhibition of the Australian Painter-Etchers' Society [1924].

Venues

Farmers Smoke Room (1 December 1924 – 13 December 1924)
Oak Luncheon Hall, Farmers, Pitt, Market & George Sts., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

Tree Study. £1.11.6 (unframed) | etching

Loading a drogher. £2.02.0 (unframed) | etching

An old home, Manly Vale. £2.12.6 (unframed) | etching

Cole, Herbert. (1867–1930)

1. Diana and Endymion pen and ink. £6.06.0 (unframed) | etching

2. Michael Angelo pen and ink 8 8 0 Two Pages Sketches, Poems by Zora Cross (By permission of Angus. etching

3. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

4. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

Crisp, James. (1879–1962)

10. The porch, Saint Michael's, Rose Bay. £2.02.0 (unframed) | etching

MORT, Eirene (1879–1977)

11. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

12. Black Mountain, Canberra £1.11.6 (unframed) | etching

13. King's School, Parramatta. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

14. The Great Dome, Melbourne Public Library £2.02.0 (unframed) | etching

15. Gate of the City. £2.12.6 (unframed) | etching

16. Doorway, Bank of Victoria, Melbourne. £2.02.0 (unframed) | etching

17. Bernard O'Dowd [2] £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

18. Falling Leaves, Bathurst. etching

19. The bent tree, Tuggerah Lake. etching

20. The open lake. etching

21. Archway, Bathurst etching

Walker, F. Sidney. (1888–1972)

22. Barges, Hobart. £1.11.6 (unframed) | etching

23. Evening. £1.01.0 (unframed) | etching

24. North Head. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

25. Sydney University. £3.03.0 (unframed) | etching

26. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

27. The Bend of the Road. £3.03.0 (unframed) | etching

28. Church Point, Pittwater. £2.02.0 (unframed) | etching

29. Landscape. £2.02.0 (unframed) | etching

30. Bushranger's Hill, Pittwater. £2.02.0 (unframed) | etching

31. Bushranger's Hill, Pittwater original sketch. £6.06.0 (unframed) | etching

32. The Bend of the Road original sketch. £9.09.0 (unframed) | etching

WALCOT, William (1874–1943)

33. Piccadilly Circus. £5.05.0 (unframed) | etching

34. Whitehall. £5.05.0 (unframed) | etching

35. The Bank of England. £5.05.0 (unframed) | etching

36. The Horse Guards. £5.05.0 (unframed) | etching

37. Newcastle-on-Tyne. £6.06.0 (unframed) | etching

38. Trafalgar Square. £5.05.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

39. Barge Builders. £12.12.0 (unframed) | etching

40. Barnard Castle. £12.12.0 (unframed) | etching

Gabain, Ethel. (1853–1950)

41. Reveuse original. £3.03.0 (unframed) | etching

42. The Emerald Ring original. £3.03.0 (unframed) | etching

43. Munition Worker. £3.03.0 (unframed) | etching

44. Si les bijoux estaient indiscrets! original. £3.03.0 (unframed) | etching

45. Une dame qui se chausse original. £4.04.0 (unframed) | etching

46. Colombine a sa toilette original. £5.05.0 (unframed) | etching

47. The Patch. £5.05.0 (unframed) | etching

Hall, Oliver. (1869–1957)

48. Showery Weather. £3.03.0 (unframed) | etching

49. Old timber bridge, Yarmouth. £3.03.0 (unframed) | etching

Menpes, Mortimer. (1855–1938)

50. Portrait of Whistler. £3.03.0 (unframed) | etching

51. A Distant View London. £3.03.0 (unframed) | etching

52. Westminster. £3.03.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

53. A Sussex Landscape. £3.03.0 (unframed) | etching

Cameron, D.Y. (1865–1945)

54. Bookplate. £4.04.0 (unframed) | etching

Blampied, Edmund. (1886–1966)

55. Original. £3.13.6 (unframed) | etching

56. Original. £3.13.6 (unframed) | etching

Hampton, Herbert G. (1889–1943)

57. Midnight. £2.02.0 (unframed) | etching

OFFLER, Edmund

58. Yvonne. £1.01.0 (unframed) | drypoint

MIGNOT, Victor (1872–)

59. Dordrecht. £4.04.0 (unframed) | etching

Boon, Jan. (1882–)

60. Head of old woman. £1.01.0 (unframed) | etching

61. Lucien Simon. £3.03.0 (unframed) | pencil study

Simon, Lucien. (1861–1945)

61. A Head. Lucien Simon | £3.03.0 (unframed) | pencil study

LONG, Sydney (1871–1955)

62. The River Side. £4.04.0 (unframed) | etching

63. Mother and Young. £2.12.6 (unframed) | etching

64. Kookaburras. £3.03.0 (unframed) | etching

65. Stand on the Green. £3.13.6 (unframed) | etching

66. Deserted. £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

67. Fishing boats, Lisbon £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

68. Magpies £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

69. Fishing boats, Lisbon £3.03.0 (unframed) | etching

70. The Pool. £4.04.0 (unframed) | etching

71. Houes of Parliament, London. £2.02.0 (unframed) | etching

Green, Reginald. (1884–1971)

72. Shakespeare's School, Stratford-on-Avon. £3.03.0 (unframed) | etching

73. The Star Inn. £3.03.0 (unframed) | etching

74. John Knox's House, Edinburgh. £2.02.0 (unframed) | etching

75. The Cross, Chichester. £2.02.0 (unframed) | etching

76. Merton College, Oxford. £2.02.0 (unframed) | etching

77. St. John's College, Cambridge. £2.02.0 (unframed) | etching

78. Windsor Castle. £2.02.0 (unframed) | etching

RICHARDS, Fred (1887–1932)

79. Vire. £2.02.0 (unframed) | etching

Dawson, Nelson. (1859–1941)

80. Coming into Harbour. £3.00.0 (unframed) | etching

STRANG, William (1859–1921)

81. Death Defeated. £2.02.0 (unframed) | etching

82. The Nymph. £3.03.0 (unframed) | etching

Munz, F.

83. Group of Trees. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

84. The Tuck Shop, S.G.S. £1.01.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

Artist: Friedensen, Thomas. | Title: The man from Burrywang. | Date: 1925 | Technique: etching and drypoint, printed in black ink, from one plate

85. The man from Burrywang. £1.11.6 (unframed) | etching

86. The Bridge of Sighs. £2.12.6 (unframed) | etching

87. The heart of the city. £2.12.6 (unframed) | etching

88. Breaking up in 'Australia'. £3.03.0 (unframed) | etching

89. A sunlit canal, Venice. £3.03.0 (unframed) | etching

90. A waterway in Venice. £2.02.0 (unframed) | etching

91. Interior Anne Hathaway's Cottage drawing. £5.05.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

92. Nocturne. £2.02.0 (unframed) | etching

93. Old Cremorne wharf. £2.02.0 (unframed) | etching

94. Old House, rear Vickery's Chambers. £2.02.0 (unframed) | etching

95. Milson's Point from Old Railway Yards. £2.02.0 (unframed) | etching

96. Dismantling H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

97. The old Barracks, Queen's Square. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

99. The lagoon, Dee Why £2.12.6 (unframed) | etching

100. The Burragorang Valley. £3.03.0 (unframed) | etching

101. Scone Farm. £3.03.0 (unframed) | etching

102. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

103. Sketch Dee Why. £1.11.6 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. Bundagobilly Creek. £3.03.0 (unframed) | etching

105. Interior Woolshed. £3.03.0 (unframed) | etching

106. Loading Wool. £3.03.0 (unframed) | etching

107. The Wagon Loaded. £2.12.6 (unframed) | etching

108. Macquarie Street. £2.02.0 (unframed) | etching

109. Wool Team Leaving. £1.11.6 (unframed) | etching

110. Bullock team coming in. £1.11.6 (unframed) | etching

111. Jinderie Sheds. £1.11.6 (unframed) | etching

112. St. James'. £1.01.0 (unframed) | etching

Nelson, Harold. (active by 1924)

114. Minerva. £2.02.0 (unframed) | etching

115. The Studio Window. £3.03.0 (unframed) | etching

WEBB, Harry George (1882–1914)

116. The Jester. £1.01.0 (unframed) | etching

Whydale, Herbert. (1892–1968)

117. The Hayrick. £3.03.0 (unframed) | etching

Fell, Eleanor. (1885–1946)

118. Lambeth Bridge. etching

119. Malaga. £3.13.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

120. Bridge Building. £5.05.0 (unframed) | etching

121. Bridge Building. £10.10.0 (unframed) | etching

122. Bridge Building (No.3), the Opening Night. £3.03.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: The big building, Yallourn, May 1924. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

123. The big building, Yallourn, May 1924. £6.16.6 (unframed) | etching

124. Super Great Power House. £5.15.6 (unframed) | etching

125. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Arndt, Mina. (1885–1926)

126. Study of old man. £4.04.0 (unframed) | etching

127. Ben. £3.03.0 (unframed) | etching

128. Street in Corfe. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

129. Mrs Heberden. £5.05.0 (unframed) | etching

130. The Old Quarry. £4.04.0 (unframed) | etching

131. A sunlit land. £4.04.0 (unframed) | etching

132. Stirling Bridge. £4.04.0 (unframed) | etching

133. Arnold Mason. £5.05.0 (unframed) | etching

134. Jukhers of the Plain. £4.04.0 (unframed) | etching

135. Dieppe. £4.04.0 (unframed) | etching

137. Noon, Wareham. £3.03.0 (unframed) | etching

138. Le Puy. £4.04.0 (unframed) | etching

139. Nathaniel Sparks - Portrait. £5.05.0 (unframed) | etching

139A. Dieppe. etching

139B. Mrs. Heberden - Portrait. etching

Gaskell, Percival. (1868–1934)

140. Ferpecle mezzotint. £6.06.0 (unframed) | etching

141. Summer Morning, River Wharf. £5.05.0 (unframed) | mezzotint

142. Derwent Water, evening. £5.05.0 (unframed) | etching

143. The chalk pit on the Downs. £3.03.0 (unframed) | etching

144. The Enchanted Castle. £4.04.0 (unframed) | etching

145. San Vigilio, Lago di Garda. £3.03.0 (unframed) | etching

146. Ploughing in Purbeck. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

146. Loches Castle. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

147. Crowland Abbey Ditching. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

148. The Mountain Smithy. £4.04.0 (unframed) | etching

149. The Little White Town. £3.03.0 (unframed) | etching

150. Lancaster. £4.04.0 (unframed) | etching

151. Thunder weather. £3.03.0 (unframed) | etching

152. The Upland Farm. £4.04.0 (unframed) | etching

153. A March of Waters. £3.12.6 (unframed) | etching

154. Patriarchs. £3.03.0 (unframed) | etching

155. Harlech. £4.04.0 (unframed) | etching

156. The Promise of a Hot Day. £5.05.0 (unframed) | etching

157. A Spring Afternoon. £2.10.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

158. Piccadilly Circus. £3.03.0 (unframed) | etching

159. By-products. £3.03.0 (unframed) | etching

160. Hop Exchange, London, after the Fire. £3.03.0 (unframed) | etching

161. Westminster School. £3.03.0 (unframed) | etching

162. Covent Garden. £3.03.0 (unframed) | etching

163. Wreckage. £3.03.0 (unframed) | etching

164. St. Margaret's and Big Ben. £3.03.0 (unframed) | etching

165. Gracechurch Street, London. £4.04.0 (unframed) | etching

Duff, J.R.K. (1862–1938)

166. Rain. £3.03.0 (unframed) | etching

167. The man with the beet. £3.03.0 (unframed) | etching

168. The Marsh. £3.03.0 (unframed) | etching

169. January Lambs. £3.03.0 (unframed) | etching

170. At play. £1.11.6 (unframed) | etching

171. False Fire. £1.11.6 (unframed) | etching

172. Milking. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

173. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

174. The launch. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

175. Cronulla Beach. £3.03.0 (unframed) | etching

176. Chelsea Pensioners. £10.10.0 (unframed) | etching

177. Windsor Castle. £12.12.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £8.08.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £0.08.0 (unframed) | etching

179. Old Mosman [pencil]. £8.08.0 (unframed) | pencil

179. Old Mosman [pencil]. £0.08.0 (unframed) | pencil

Flanagan, John Richard. (1895–1964)

180. Title unknown. £6.06.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

181. Into the shade. £2.02.0 (unframed) | etching

182. The spreading Ti-Tree. £2.02.0 (unframed) | etching

183. The lake side. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

184. The heart of Sydney. £4.04.0 (unframed) | etching

185. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unframed) | etching

186. The mooring. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

187. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

188. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

189. The work of day £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

190. Sydney from Milsons Point. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980)

191. Title unknown. £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

205. Cement Works, Rochester. £3.03.0 (unframed) | etching

206. Isleworth. £3.03.0 (unframed) | etching

207. Interior of Barn at Rabley Heath. £3.03.0 (unframed) | etching

208. The path of a gale. £5.05.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

209. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

210. Rue Eau de Robec, Rouen. £3.03.0 (unframed) | etching

211. Rembrandt at the Press. £2.10.0 (unframed) | etching

Airy, Anna. (1882–1964)

212. Goldfinches fighting. £4.04.0 (unframed) | etching

213. Cast of Dice. £4.04.0 (unframed) | etching

214. Apple Blossom. £4.04.0 (unframed) | etching

Fletcher, Hanslip. (1874–1955)

215. Exeter Cathedral drawing. £15.15.0 (unframed) | etching

Kinney, Troy. (1871–1938)

216. Serenade. £8.08.0 (unframed) | etching

Warlow, H. Gordon. (1885–1942)

217. Place de Eglise. £2.02.0 (unframed) | etching

Austen, Winifred. (1876–1964)

218. Curlew. £4.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

219. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

220. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

221. Trees of Balmoral. £1.01.0 (unframed) | etching

222. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

223. Banksia, Collaroy. £1.17.6 (unframed) | etching

Catalogue of the Christmas Exhibition of the Painter- Etchers' Society [1925].

Venues

Farmer & Company (30 November 1925 – 12 December 1925)

Works

Airy, Anna. (1882–1964)

1. The Reader. £3.03.0 (unmounted, unframed)

2. King Pippin. £3.03.0 (unmounted, unframed)

Anderson, Stanley. (1884–1966)

3. Bush House From The Strand. £3.13.6 (unmounted, unframed)

4. St. George's, Hanover Square. £3.13.6 (unmounted, unframed)

5. Covent Garden Market. £3.13.6 (unmounted, unframed)

6. Landlopers. £3.03.0 (unmounted, unframed)

Ashton, Will. (1881–1963)

7. Rodney Lane, Ilfracombe, England. £2.02.0 (unmounted, unframed)

8. Old bridge, Ayr, Scotland. £3.03.0 (unmounted, unframed)

9. "Eglise St. Nicholas Du Chardonnet", Paris. £3.03.0 (unmounted, unframed)

10. Le Pont de Bois, Paris. £3.03.0 (unmounted, unframed)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

11. Ponte Vecchio, Florence £3.03.0 (unmounted, unframed)

Burridge, Fred. (1869–1945)

12. The west wind. £4.04.0 (unmounted, unframed)

13. Lancaster. £5.05.0 (unmounted, unframed)

14. Ghagford Bridge. £3.03.0 (unmounted, unframed)

15. The Mill in the Wirral. £3.03.0 (unmounted, unframed)

Crisp, James. (1879–1962)

17. The old mill, Auckland, N.Z. £1.11.6 (unmounted, unframed)

18. The intruder [1]. £2.02.0 (unmounted, unframed)

19. A glimpse. £1.11.6 (unmounted, unframed)

20. The Story. £1.11.6 (unmounted, unframed)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

21. Farm corner. £1.11.6 (unmounted, unframed)

22. Feathered Friends. 1.11.6 (unmounted, unframed) | All prices are for unmounted and unframed prints, duplicate prints are available in each instance.

Duff, J.R.K. (1862–1938)

23. Down to the Shearing. £3.03.0 (unmounted, unframed)

24. In Winter. £3.03.0 (unmounted, unframed)

25. Noisy Neighbours. £2.02.0 (unmounted, unframed)

26. King of The Castle. £2.02.0 (unmounted, unframed)

27. Too Much Rain. £2.02.0 (unmounted, unframed)

Emanuel, Frank. (1865–1948)

28. Little Hell Street, Dieppe. £3.13.6 (unmounted, unframed)

29. T'Auld Brig o' Ayr. £3.13.6 (unmounted, unframed)

Farmer, Helen. (1888–1970)

30. A river boat. £1.11.6 (unmounted, unframed)

31. In Mosman Bay. £2.02.0 (unmounted, unframed)

32. Cottage on The Hill. £1.01.0 (unmounted, unframed)

33. Deserted Tenement. £1.11.6 (unmounted, unframed)

34. A Timber Mill. £1.11.6 (unmounted, unframed)

35. The cowbail. £2.02.0 (unmounted, unframed)

36. The paddock gate. £3.03.0 (unmounted, unframed)

Friedensen, Thomas. (1879–1931)

37. Sydney Harbor from Athol Gardens. £3.03.0 (unmounted, unframed)

38. An old street in York. £2.02.0 (unmounted, unframed)

39. Molly. £1.11.6 (unmounted, unframed)

Artist: Friedensen, Thomas. | Title: Old Jimmy. | Date: 1925 | Technique: drypoint, printed in black ink, from one plate

40. Old Jimmy. £2.02.0 (unmounted, unframed)

41. Up-Country Farmer. £2.02.0 (unmounted, unframed)

42. An old English shepherd. £2.02.0 (unmounted, unframed)

43. Porch, Harfleur Church. £1.11.6 (unmounted, unframed)

44. Avenue, Harfleur, Normandy. £1.01.0 (unmounted, unframed)

45. Mediaeval Houses, Rouen (Drawing). £7.07.0 (unmounted, unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The country postman. | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

46. The country postman. £3.03.0 (unmounted, unframed)

47. Rowe Street, Sydney. £3.03.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

48. Sydney Harbour. £4.04.0 (unmounted, unframed)

49. Conservatorium of Music, Sydney. £3.03.0 (unmounted, unframed)

50. St. Joseph's College, Sydney. £3.03.0 (unmounted, unframed)

51. Wiseman's Ferry. £4.04.0 (unmounted, unframed)

52. Bowling Green, Ludlow - England's Oldest. £3.03.0 (unmounted, unframed)

53. Oxford. £3.03.0 (unmounted, unframed)

54. Old Sydney, 1890, Corner of Liverpool Street and Victoria Place. £2.02.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Macquarie Place, Sydney. | Date: c.1923 | Technique: etching, printed in blue/black ink with plate-tone, from one plate

55. Macquarie Place, Sydney. £4.04.0 (unmounted, unframed)

56. The old barn. £3.03.0 (unmounted, unframed)

Gaskell, Percival. (1868–1934)

57. Crowland Abbey. £3.03.0 (unmounted, unframed)

GOODCHILD, John (1898–1980)

58. The Bridge. £2.02.0 (unmounted, unframed)

59. Ships at rest. £2.02.0 (unmounted, unframed) | aquatint

60. After work. £2.02.0 (unmounted, unframed) | aquatint

61. Low Banks. £1.01.0 (unmounted, unframed)

62. Bush Light. £1.01.0 (unmounted, unframed)

63. Sydney, from Bradley's Head. £2.02.0 (unmounted, unframed) | softground

64. The smithy. £2.02.0 (unmounted, unframed)

65. Quiet afternoon, Port Adelaide. £4.04.0 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

66. Sundown. £2.02.0 (unmounted, unframed) | softground

GOODCHILD, John (1898–1980)

67. Desolation. £1.11.6 (unmounted, unframed)

68. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unmounted, unframed)

Hardie, Martin. (1875–1952)

69. The Sleepy Ferry. £6.06.0 (unmounted, unframed)

70. An Essex Boatyard. £4.04.0 (unmounted, unframed)

71. Sunset in Scotland. £4.04.0 (unmounted, unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

72. St. Paul's from the river £2.11.6 (unmounted, unframed)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

73. Porte Marechale, Bruges £2.11.6 (unmounted, unframed)

74. The Lake [softground]. £10.00.0 (unmounted, unframed) | Two proofs only - Plate Destroyed | softground etching

75. Landscape, Bucks. £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

76. Autumn landscape £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

77. Between the showers £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

78. A Cornish landscape £3.03.0 (unmounted, unframed) | softground & aquatint

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The little dutch mill £3.03.0 (unmounted, unframed) | drypoint

80. Kookaburras. £2.02.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. The passing storm £5.05.0 (unmounted, unframed) | aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Pastoral sandgrain £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

83. The harbour, St.Ives £3.03.0 (unmounted, unframed) | softground

Morgan, Squire. (1886–1974)

84. Sketch, Avoca. £1.01.0 (unmounted, unframed)

85. Miniature. £1.01.0 (unmounted, unframed)

86. The glade. £1.11.6 (unmounted, unframed)

87. The lakeside. £2.12.6 (unmounted, unframed)

88. Fagan's Farm. £2.02.0 (unmounted, unframed)

89. At Palm Beach. £3.03.0 (unmounted, unframed)

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

90. Ti trees £3.03.0 (unmounted, unframed)

91. Summer Shade. £3.03.0 (unmounted, unframed)

92. On the road to Tambourine, Queensland. £2.12.6 (unmounted, unframed)

93. The roadside shanty. £3.03.0 (unmounted, unframed)

OSBORNE, Malcolm (1880–1963)

94. My mother. £5.05.0 (unmounted, unframed)

95. Arthur. £3.03.0 (unmounted, unframed)

96. Tourks Market Place. £3.03.0 (unmounted, unframed)

97. Cherrac. £5.05.0 (unmounted, unframed)

RICHARDSON, Linley, H. (1878–1947)

98. Portrait of a little boy.

van RAALTE, Henri (1881–1929)

99. After the Bath.

RICHARDSON, Linley, H. (1878–1947)

100. A sunny morning.

101. Off to the Seaside.

102. Once Upon a Time.

ROBERTSON, Bruce (1872–1943)

103. Australian sunrise. £3.03.0 (unmounted, unframed)

104. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unmounted, unframed)

105. Australian Natives. £1.11.6 (unmounted, unframed)

106. Australian sunrise. £2.10.0 (unmounted, unframed)

107. On the Lane Cove, Sydney Harbour. £2.17.6 (unmounted, unframed)

108. Reflections Cook's River, N.S.W. £1.16.6 (unmounted, unframed)

109. The wave, Coogee, N.S.W. £1.01.0 (unmounted, unframed)

110. Fairy Bower, Manly, N.S.W. £1.11.6 (unmounted, unframed)

111. Old Bronte, Sydney, N.S.W. £1.05.0 (unmounted, unframed)

ROBINS, W.P. (1882–1959)

112. Monkton. £7.07.0 (unmounted, unframed)

SHIRLOW, John (1869–1936)

113. The Bank Door (Commercial Bank, Melb.). £3.03.0 (unmounted, unframed)

114. Nightfall. £2.02.0 (unmounted, unframed)

Artist: SHIRLOW, John | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

115. A bye-way, Flinders Lane. £2.02.0 (unmounted, unframed)

116. Morning, Central Station, Melbourne. £3.03.0 (unmounted, unframed)

117. Flinders Street. £2.02.0 (unmounted, unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

118. Ambleside farmyard £3.03.0 (unmounted, unframed)

119. The country road. £3.03.0 (unmounted, unframed)

120. Rose's Mill, Mt Gilead. £5.05.0 (unmounted, unframed)

121. The Old Treasury. £4.04.0 (unmounted, unframed)

122. Macquarie Fields. £2.02.0 (unmounted, unframed)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

123. Washing day £2.02.0 (unmounted, unframed)

124. Farmyard, Clarendon. £2.02.0 (unmounted, unframed)

125. Ah Lum's Farm, Windsor. £5.05.0 (unmounted, unframed)

TRAILL, Jessie (1881–1967)

126. Big Building, Yallourn. £6.06.0 (unmounted, unframed)

127. Super Great Power House. £5.05.0 (unmounted, unframed)

Walker, F. Sidney. (1888–1972)

128. Dawes Point, (From McMahons Pt.). £1.11.6 (unmounted, unframed)

129. Milsons Point, September. £1.11.6 (unmounted, unframed)

130. Princes Bridge. £1.11.6 (unmounted, unframed)

131. Midsummer Noon. £1.11.6 (unmounted, unframed)

132. MacTaggart's Farm. £1.07.0 (unmounted, unframed)

133. At the top of the Ridge. £1.01.0 (unmounted, unframed)

134. The Headland, Newport. £1.01.0 (unmounted, unframed)

Warner, Alfred Edward. (1879–1968)

135. Bobadah. £3.03.0 (unmounted, unframed)

136. Martin's Farm. £2.02.0 (unmounted, unframed)

137. Main Entrance, St. Mary's Cathedral. £1.11.6 (unmounted, unframed)

138. On the road. £3.03.0 (unmounted, unframed)

139. Cultivation paddocks. £2.12.6 (unmounted, unframed)

140. The distant road. £2.12.6 (unmounted, unframed)

141. In Camp. £2.12.6 (unmounted, unframed)

Artist: Warner, Alfred Edward. | Title: Prawners | Date: 1935 | Technique: etching, printed in black ink with plate-tone, from one plate

142. Prawners £2.12.6 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

143. Sundown. £3.03.0 (unmounted, unframed)