Dordrecht.

Malcolm Osborne (1880–1963)

Dordrecht.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

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Seventh Annual Exhibition of the Australian Painter-Etchers' Society

Venues

Education Department Gallery (30 May 1927 – 18 June 1927)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Gallop, Herbert. (1890–1958)

Shade Ti Trees. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Pittwater shore. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Winter (Wentworth Stable). £2.12.6 (unframed) | etching

Ti trees. £2.02.0 (unframed) | etching

The sliprails. £2.12.6 (unframed) | etching | Print available for members of the Print Collectors Club.

The Sunlit Farmyard. £2.12.6 (unframed) | etching

The Dairy Farm. £2.12.6 (unframed) | drypoint | Print available for members of the Print Collectors Club.

Walker, F. Sidney. (1888–1972)

Phillip Street, Sydney. £2.12.6 (unframed) | etching

The Bridge Cranes, Dawes Pt. £1.11.6 (unframed) | etching

10. The Mill, Mt. Gilead, N.S.W. £1.11.6 (unframed) | etching

11. Low Tide at Newport. £1.11.6 (unframed) | etching

12. The river boat. £1.11.6 (unframed) | etching

13. The Top of the Ridge. £1.01.0 (unframed) | etching

14. Evening. £1.11.6 (unframed) | only 4 copies for sale | etching

15. Skyline Sketch. £1.01.0 (unframed) | etching

Ashton, Will. (1881–1963)

16. The old bridge, Sospel, France. £3.03.0 (unframed) | etching

17. Le Pont Neuf, Paris. £3.03.0 (unframed) | etching

18. Le Pont de Bois, Paris. £3.03.0 (unframed) | etching

19. The church at Damme, Belgium. £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Le portail, St. Maclou [the portal, St. Maclou] | Date: 1927 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate; charcoal additions

20. Le portail, St. Maclou [the portal, St. Maclou] £5.05.0 (unframed) | etching

21. Building the Harbour Bridge I. beginnings. £5.05.0 (unframed) | etching

22. Between showers, Carcassonne. £4.04.0 (unframed) | etching

23. Reflections of the past, Toulouse. £2.02.0 (unframed) | etching

24. Autrefois. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. Fantasy £12.12.0 (unframed) | etching

26.

The blacksmith's shop

£4.04.0 (unframed) | etching

27. Rose Bay. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

28. A windy day £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

29. Berowra Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

30. Friar Street, Worcester £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

31. Iffley Mill, Oxford £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

32. Dunster £4.04.0 (unframed) | etching

Morgan, Squire. (1886–1974)

39. Scots Church and Manse. £2.02.0 (unframed) | etching

40. The roadside shanty. £1.11.6 (unframed) | etching

41. Swamp Ti Trees, Avoca. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

42. Kookaburras. £1.11.6 (unframed) | etching

43. Winswept Trees, Avoca. £1.01.0 (unframed) | etching

Walker, Leslie James. (1894–1951)

44. Morning. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

45. The Old Farmhouse, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

46. Kurrajong. £2.12.6 (unframed) | Print available for members of the Print Collectors Club. | etching

47. The road to Forster. £1.11.6 (unframed) | etching

48. An old corner, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

49. Deep Creek, Narrabeen Lake. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

50. A Landscape, Forster. £1.01.0 (unframed) | etching

51. A glimpse of the Harbour. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Percival, C.H. (1891–1940)

52. The Last Tram (from the original Bulletin drawing). £3.03.0 (unframed) | etching

53. Camels Drinking, Egypt. £1.11.6 (unframed) | etching

54. Quiet Creek. £2.02.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

55. Archway near Stratford, England. £2.02.0 (unframed) | etching

56. The Old Shed. £2.02.0 (unframed) | etching

57. P.L.C. Pymble. £1.15.6 (unframed) | etching

Reid, D.G. (1862–1933)

68. 'Morning', Broughton Mill Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

69. Cottage and Girl. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

70. St. Stephen's, Newtown. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

71. In Leafy Bower. £2.02.0 (unframed) | etching

72. The Ironbark Tree. £2.02.0 (unframed) | etching

73. The Pig Farm. £2.02.0 (unframed) | etching

Crisp, James. (1879–1962)

74. Peck's Farm, Kurrajong Heights. £2.02.0 (unframed) | etching

75. The Pack Horse. £1.11.6 (unframed) | etching

76. The Strength of the Free. £1.01.0 (unframed) | etching

77. Pelican Pond (2nd state). £1.01.0 (unframed) | etching

Coulter, Reg W. (1904–)

78. The King is indisposed. £5.05.0 (unframed) | etching

79. Treasure Haven. £3.03.0 (unframed) | etching

80. East is West. £3.03.0 (unframed) | etching

81. Decoration. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

82. The Bush, New South Wales. £4.04.0 (unframed) | etching

83. Fording the Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

84. Pastoral, North West. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

85. Street in Cairo, Egypt. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

86. Venice. £2.12.6 (unframed) | etching

87. Ann Hathaway's Cottage. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: Friedensen, Thomas. | Title: Young Australia. | Date: 1926 | Technique: drypoint printed in brown ink with plate-tone

88. Young Australia. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

89. Archway, Riviera. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

90. A pipe of 'baccy'. £2.12.6 (unframed) | etching

91. Kookaburras. £2.02.0 (unframed) | etching

92. Kangaroos. £2.02.0 (unframed) | etching

93. Harnessing. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

94. Hobson's Bay. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

95. Melbourne from South Yarra. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Warner, Alfred Edward. (1879–1968)

96. Argyle. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

97. Near Nymagee. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Scott, Eric. (1892–1978)

98. Notre Dame (facade). £3.03.0 (unframed) | etching

99. Notre Dame (abside). £2.02.0 (unframed) | etching

100. La Chappelle. £4.04.0 (unframed) | etching

101. Winter sun (midi). £3.03.0 (unframed) | etching

102. Moret-sur-Loing. £3.03.0 (unframed) | etching

103. Portre de Guillaume (Chartres). £4.04.0 (unframed) | etching

104. Beauvais. £3.03.0 (unframed) | etching

105. Notre Dame. £1.01.0 (unframed) | etching

106. Les Tours de Chartres. £1.01.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

107. Nocturne. £1.01.0 (unframed) | etching

108. Windmill, Mt. Gilead. £1.01.0 (unframed) | etching

109. Old cottage, St. Mary's. £1.01.0 (unframed) | etching

Allcot, John (1888–1973)

110. H.M.S. Roebuck. £1.11.6 (unframed) | etching

111. H.M.S. Sirius. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

112. Cellars, Port Arthur, Tas. £1.01.0 (unframed) | etching

Goode-Smith, W.M. (1875–1903)

113. Bridge Construction, Dawes Pt. £1.01.0 (unframed) | etching

Nock, Lucy. (1866–1975)

114. The Old Lodge, Wentworth House. £1.01.0 (unframed) | etching

Burridge, Fred. (1869–1945)

115. Evening. £5.05.0 (unframed) | etching

116. Lancaster. £5.05.0 (unframed) | etching

117. (Final Print). £10.10.0 (unframed) | final print for sale | etching

OSBORNE, Malcolm (1880–1963)

118. Donjon, Loches. £5.05.0 (unframed) | etching

119. Nathaniel Sparkes. £6.06.0 (unframed) | etching

120. Dordrecht. £6.06.0 (unframed) | etching

121. Mt. St. Michel. £5.05.0 (unframed) | etching

122. Sir Edward Clarke. £7.07.0 (unframed) | etching

123. Sunlit land. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

124. High tide. £7.07.0 (unframed) | etching

125. The Black Island. £7.07.0 (unframed) | etching

126. The Mad King's Castle. £5.05.0 (unframed) | etching

127. The Gathering Storm, Lake Garda. £4.04.0 (unframed) | etching

128. Torcello. £3.03.0 (unframed) | etching

129. Hindhead. £4.04.0 (unframed) | etching

Hardie, Martin. (1875–1952)

130. St. Barnabas', Venice. £5.05.0 (unframed) | etching

131. Canal, Chioggia. £5.05.0 (unframed) | etching

The Painter-Etchers' and Graphic Art Society of Australia. (formerly the Australian Painter-Etchers' Society) Exhibition, 1934

Venues

Education Department Gallery (3 December 1934 – 14 December 1934)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Squirrell, Leonard R. (1893–1979)

'The Picnic'. 4 gns

THURLOW, Ernest (1920s )

Grand Champion, 'Tricotrin Arna' (Shepherd Dog). 2 gns

'The Builders' Camp', Woy Woy. 1 gn

Wilkinson, Nevile R. Major, Sir (1869–)

Phyllis Wilkinson, (Bookplate). Not For Sale

Lord Donoughmore. (Bookplate). Not For sale | etching

Book Plates (Photogravure). Not For Sale

Crisp, James. (1879–1962)

10. A Gateway, Fernhill, Mulgoa. 1½ gns

11. Corner Old Stables, Vaucluse House. 1½ gns.

12. An old Moreton Bay Fig tree. 1½ gns | etching

MORT, Eirene (1879–1977)

13. The Lodge, Wimbourne. 2 gns

Ragless, Max. (1901–1981)

14. Melrose and Mt. Remarkable. 1½ gns

15. Clyde River, Bateman's Bay, N.S.W. 2 gns

16. Shadows on the Sand. 1 gn

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

17. The fallen branch 3 gns

18. 'The Sawmill'. 2 gns

19. 'Summer Morning'. 1½ gns

Gillespie, David. (1930–)

20. Fishing boats, Hobart. 1½ gns

21. Morcate. 1½ gns

Tidswell, Quinton. (1910–1940)

22. "Sydney of Yesterday". 1 gn

TRAILL, Jessie (1881–1967)

23. Pontville Bridge, Tasmania. 3 gns

MORT, Eirene (1879–1977)

24. The Birthplace Melbourne. 1½ gns

25. The Mill, Oatlands. 1½ gns

Gillespie, David. (1930–)

26. Elvet Ridge, Durham. 1 gn

27. St. Bartholomew. 1 gn

28. Santa Cecelia, Ronda. 1½ gns

Tidswell, Quinton. (1910–1940)

29. "Old Phillip Street". 1 gn

30. "Edmund's Kurrajong". 1 gn

31. "Country Road". 1 gn

32. "Burdekin House". 1½ gns

33. Bank of N.S.W., Windsor. 1 gn

LONG, Sydney (1871–1955)

34. William of Wyndham. 2 gns

35. The derelict. 3 gns

36. The little boat shed. 3 gns

37. 'Mid-day'. 4 gns

38. 'Pyrmont Bridge'. 4 gns

39. 'Old Custom House', Palm Beach. 3 gns

40. 'Landscape, Avoca'. 3 gns

41. 'Fishing Boats', Lisbon. 4 gns

42. 'Floodlighted'. 4 gns

Artist: LONG, Sydney | Title: St. Stephen's, Camperdown | Date: 1928, after | Technique: line-etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. St. Stephen's, Camperdown 4 gns

44. 'The Dredge'. 3 gns

Pratt, Douglas. (1900–1972)

Artist: Pratt, Douglas. | Title: Guardians of the Valley | Date: 1934 | Technique: etching, printed in brown ink, from one plate

45. Guardians of the Valley 3 gns

46. The Chapel, Scout Camp, Pennant Hills. 2 gns

47. Warriors of the West. 3 gns

48. A bend in the Macquarie. 1 gn

49. The roadside sentinel. 2 gns

50. Springtime Foliage. 1½ gns

Davies, L. Roy. (1897–1979)

51. High and dry. 1½ gns

GOODCHILD, John (1898–1980)

52. St. Paul's, Melbourne. 4 gns

Emanuel, Cedric. (1906–1995)

53. 'The Old Mill'. 2 gns

54. Anzac Memorial. 2 gns

55. Drying the Sail. 1½ gns

Whitney, William Montague. (1880–1946)

56. The cottage on the hill, Burragorang. 2 gns

57. Camden landscape. 2 gns

ROBERTSON, Bruce (1872–1943)

58. 'Bend of the Road', Church Point. 1 gn

59. Bush sunset. 3 gns

60. 'Evening', Lake Macquarie. 1 gn

Dwyer, Ella. (1887–1979)

61. The Gathering Storm, Mt. Cook, N.Z. 2 gns

62. Through the Trees, Athol. 1½ gns

McDonald, Sheila. (1902–1971)

63. On the road to Mt. Wilson. 1 gn

Walker, F. Sidney. (1888–1972)

64. Riverina pastoral. 2 gns

65. Poplars at Tumut. 1½ gns

Johnstone, Frank E. (1903–)

66. St. Andrew's Cathedral. 2 gns

Walker, F. Sidney. (1888–1972)

67. The University, Sydney. 1 gn

68. The Sunlit Bay. 1 gn

Garling, Lilias. (1909–)

69. 'Near Great Lake, Tasmania'. 2 gns

70. Late Afternoon, Lake Avoca. 2 gns

71. Early morning, Avoca, N.S.W. 2 gns

72. Lake Avoca, Evening. 2 gns

Johnstone, Frank E. (1903–)

73. Noon in the West. 1 gn

74. Baptistry, St. Mary's Basilica. 1½ gns

75. The Grace Tower, Sydney. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

76. Metal Crusher. 2½ gns

77. The brick ovens. 1½ gns

78. Chimney Stacks. 1½ gns

Byrne, Harold. (1899–1966)

79. The Pilgrim dry point. 2 gns

80. Night in St. Mary's. 3 gns

81. Old Cumberland Street. 2 gns

82. St. Mary's, The Organ. 2 gns

83. Noctrune, Phillip Street. 2 gns

84. St. Mary's. not for sale | dry point

85. Ecce Homo. 5 gns | dry point

86. Sailor's Rest. Not For Sale

87. Portrait Study dry point. 5 gns

88. Book Plates. Not For Sale

Gallop, Herbert. (1890–1958)

89. Pittwater. 2 gns

90. River at Ryde. 1 gn

91. The Crossing. 1½ gns

92. Old cottage. 1½ gns

93. Allynbrook. 2 gns

94. The country road. 3 gns

95. The Golf Links, Ermington. 1½ gns

Barker, H. Neville. (1900–)

96. 'Malice'. 3 gns

97. 'L'Apres Midi'. 2½ gns

98. 'L'Heure Sentimentale'. 2½ gns

99. 'Cruise'. 2½ gns

100. 'Fete'. 2½ gns

101. 'Introduction to Magic'. 13 gns

PERROTTET, George (1890–1971)

102. 'The Half Moon'. 1 gn

Pratt, Douglas. (1900–1972)

103. She Oaks on the Macquaire pencil drawing. 5 gns

104. Spring near Bathurst pencil drawing. 4 gns

105. 'Lowana', Neutral Bay pencil drawing Kindly lent by Mrs Leslie Waterhouse -.

106. Nature's Archway pencil drawing. 15 gns

107. 'By the Still Waters' pencil drawing. 16 gns

108. 'Approaches to Melbourne' pencil drawing. 7 gns

109. 'From Ultimo to the Glebe' pencil drawing. 5 gns

110. Morning Impression, Fitzroy Gardens. 4 gns. | pencil drawing

RICHARDS, B.

111. Steps, Vaucluse House. 2½ gns. | pencil drawing

Crisp, James. (1879–1962)

112. The Tree at St. Mark's [pencil drawing]. 2 gns (Framed)

113. Pencil Sketch pencil drawing. 2 gns (Framed) 2 gns (Unframed)

114. St. Mark's pencil drawing. 2 gns (Framed) 2 gns (Unframed)

115. Cocoanut Palms, Magnetic Island [pencil drawing]. 2 gns (Framed) 2 gns (Unframed)

116. Fernhill, Mulgoa [pencil drawing]. 2 gns (Framed) | pencil drawing.

Gallop, Herbert. (1890–1958)

117. The Little Farm. 8 gns | wash drawing.

118. At North Ryde [wash drawing]. 5 gns | wash drawing

119. Gum tree [wash drawing]. 6 gns | wash drawing

Stewart, Helen. (1900–1983)

120. Snow Sweepers. 1 gn

121. The boatshed. 1 gn

122. The canal. 1 gn

Byrne, Harold. (1899–1966)

123. Portrait (Prince). 5 gns | pencil drawing.

124. Valerie [drawing]. 10 gns | pencil drawing

Coglan, Elaine E. (1897–1989)

125. At the Lagoon, Narrabeen pencil drawing. 3 gns

126. Charcoal Drawing. 6 gns

127. An Old-fashioned Girl pencil drawing. 4 gns

Garling, Lilias. (1909–)

128. 'Approaching Storm, Signet, Tasmania' monochrome. 4 gns

Townshend, G.K. (1888–1969)

129. The ploughman [drawing]. 4 gns | black and white

130. 'Illustration' wash drawing. 3 gns

Abbott, Harold. (1906–1986)

131. Dr. George Dance. not for sale | chalk

132. From the Palatine Hill, Rome. 5 gns (framed) | pen and ink

133. Bill. Harold Abbott | 5 gns (Framed) | pencil drawing

Townshend, G.K. (1888–1969)

134. Storm clouds [pencil drawing]. 3 gns | pencil drawing

Hilder, Bim. (1909–1990)

135. The Moreton Bay Fig pencil drawing. 2 gns

Whitney, William Montague. (1880–1946)

136. The Old Shed, Emu Plains pencil drawing. 4 gns

137. Grey Morning, Emu Plains monochrome. 6 gns

Gillespie, David. (1930–)

138. The Horse Guards. 1½ gns

Hirst, G.W.L. (1868–1965)

139. St. Bridgid's, Brisbane [Pencil Drawing]. 2 gns. | pencil drawing

140. Kiama Lighthouse (Pencil Drawing). 2 gns

141. South Coast Headland [Pencil Drawing]. 3 gns | Pencil Drawing

142. The House Boat (Pencil Drawing). 2 gns

143. Old cottage, Ryde (Pencil Drawing). 1 gn

144. Ball's Head (Pencil Drawing). 3 gns

145. The Old Stone Crusher (Pencil Drawing). 1 gn

Curtis, Robert Emerson. (1898–1996)

146. The Pyramid of Broken Hill. 6 gns

147. Looking down on Crystal Street, Broken Hill [drawing]. 5 gns | pencil drawing.

148. 'Unloading Timber', Newcastle pencil drawing. 10 gns

149. 'In a Mine Stope' pencil drawing. 5 gns

150. The man-made Mountain. 6 gns | pencil drawing.

151. Junk of the Mine pencil drawing. 6 gns

152. Horses at the shaft head [pencil drawing]. 6 gns | pencil drawing

153. 'Exodus' pencil drawing. 6 gns

154. Sydney of the Future (an architectural fantasy) (Black and White). 8 gns

PERROTTET, George (1890–1971)

155. Linocut Book Plates. Not For Sale

Cornish, Muriel. (1893–1945)

156. Old houses, Miller's Point. 1 gn

157. The Jetty. 1 gn

Cooper, Ashley. (1889–1970)

158. Plam Beach pencil drawing. 3 gns

159. Whalers' Arms and Hero of Waterloo, Miller's Point pencil drawing. 3 gns

Walker, F. Sidney. (1888–1972)

160. The Track to the Beach. 3 gns

161. Riverina pastoral. 4 gns

162. The Red Gum. 3 gns

Davies, L. Roy. (1897–1979)

163. Up north. 1 gn

164. From Fairlight [drawing]. 3 gns

165. Rocks, Foam and Sunshine [drawing]. 3 gns

166. Rocky Foreshore [drawing]. 2 gns

167. Clouds, No.2 [drawing]. 3 gns

168. Sunsplashed. 1 gn

Walker, F. Sidney. (1888–1972)

169. The Homestead. 3 gns. | pencil drawing

Barker, H. Neville. (1900–)

170. 'Immodesty'. 6 gns

171. Approach. 6 gns

Hine, Eugene. (1934–)

172. Old court-house, Berrima [pen and ink and wash drawing]. 3 gns | pen and ink and wash drawing

173. A Cottage by the Road pen and ink and wash drawing. 3 gns

174. Pittwater [drawing]. 3 gns

175. Old-time Balmoral pen and ink and wash drawing. 3 gns

Evergood, Miles. (1871–1939)

176. Lithograph, lent by Mrs Gavin Long. Not For Sale

LONG, Sydney (1871–1955)

177. 'The Open Gate' chalk drawing. 6½ gns

Emanuel, Cedric. (1906–1995)

178. Study for etching. 7 gns | pen and ink

179. 'Tickle' pencil drawing. 3 gns

180. Study for. 3 gns

181. Idle Jinkers pencil drawing. 4 gns

Parsons, Alice Mary. (1863–1939)

182. The Ahaded Pool. 1½ gns

184. The Footbridge. 1½ gns

185. 'Peace - A Maori Settlement'. 1½ gns

Baker, Normand H. (1908–1955)

186. Alan [pencil drawing]. 12 gns

187. Self Portrait [pencil drawing]. 12 gns

188. Bruce [drawing]. 6 gns

189. The Youth sepia. 6 gns

190. Sideshow sepia. 12 gns

Morgan, Squire. (1886–1974)

191. Old bullock dray. not for sale

192. The sliprails. not for sale

193. Misty moonrise. Not For Sale

Parsons, Alice Mary. (1863–1939)

193. The Old Tree. 2 gns

Byrne, Harold. (1899–1966)

194. Trinity Church, Hobart. 4 gns (Framed) | (one proof only).

Hopkinson, Roma. (1904–1893)

195. Burdekin House. 2 gns

196. Elizabeth Bay House. 2 gns

197. The stripling. 2 gns

198. St. Mary's. 3 gns

199. St. Stephen's. 2 gns

Mahoney, Will. (1905–1989)

Artist: Mahoney, Will. | Title: The Tandem act | Date: 1931 | Technique: drypoint, printed in black ink, from one plate

200. The Tandem act 2 gns

201. Vagabonds. 1 gn

Reilly, Virgil. (1892–1974)

202. 'Lou'.

Curtis, Robert Emerson. (1898–1996)

203. The Warriror's Chape, Newcastle. 2 gns

Sheldon, Pearl. (1877–)

204. Christ Church, Oxford. 4 gns

THURLOW, Ernest (1920s )

205. Landscape, 'Avoca'. 1 gn

Baird, John. (1902–)

206. Nude Study. 2 gns

207. 'Torso'. 2 gns

208. 'Negro'. 2 gns

Sheldon, Pearl. (1877–)

209. Cloisters, Magdalen College, Oxford. 1½ gns

Curtis, Robert Emerson. (1898–1996)

210. Christ Church, Newcastle. 2 gns

211. 'Overlanders', Broken Hill. 3 gns

Rees, Lloyd. (1895–1988)

212. Summer Morning [pencil drawing]. 10 gns

213. Sunlit foreshores [pencil drawing]. 6 gns

214. The Giant Fig Tree [pencil drawing]. Not For Sale | pencil drawing

215. The bay [pencil drawing]. 5 gns | pencil drawing

Cain, Charles William. (1893–1962)

216. A Persian Bazaar dry point. 10 gns

217. A Desert Caravan dry point. 19 gns

218. The water carrier, Baghdad. 10 gns | dry point.

219. Hassan's house, Baghdad. 13 gns | dry point.

220. Downstream on the Tigris dry point. 6 gns

221. Latticed Windows, Baghdad dry point. 3 gns

222. Big Ben Looks Down. 5 gns | drypoint

223. St. Paul's from Bankside. 3 gns | drypoint

224. The Pool on London. 5 gns | drypoint

OSBORNE, Malcolm (1880–1963)

225. City Walls, Avignon. 8 gns

226. Chinon Castle. 8 gns

227. Dordrecht. 8 gns

228. Nathaniel Sparks, Esq. 10 gns

SHORT, Frank (1857–1945)

229. Volundam. 8 gns

230. The Mountain Torrent mezzotint. 15 gns | mezzotint.

Curtis, Robert Emerson. (1898–1996)

231. Ruins of Mt Gipps Homestead, Broken Hill. 3 gns

Phillips, Arthur.

232. The sentinel. 1 gn

Miller, Syd. (1901–1983)

233. Book Plate, Fred v. Coghlan.

234. Tenor.

235. Prima Donna.

236. Book plate, T.C. Roughley.

Dwyer, Ella. (1887–1979)

237. Sir Joseph Kinsey (Armorial Book Plate).

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Baker, Normand H. (1908–1955)

Pencil Study. 6 gns

Nude [drawing]. 5 gns | Drawing.

Self Portrait. 6 gns

Hirst, G.W.L. (1868–1965)

A harbour boat shed. 3 gns

Pratt, Douglas. (1900–1972)

Quiraing -.

Artist: Pratt, Douglas. | Title: Gums of the sunny south | Date: 1937 | Technique: etching, printed in black ink, from one plate

Gums of the sunny south 6 gns

Walker, F. Sidney. (1888–1972)

Bush track in Riverina. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

1. Foggy Night. 1 gns

2. Kalnes. 2 gns

Pratt, Douglas. (1900–1972)

10. Lyndhurst Gardens -.

11. Mt. Bimlow, Burragorang. 20 gns

12. St. Mary's, Sydney.

13. 'Laluma', Woollahra -.

Emanuel, Cedric. (1906–1995)

14. Hobart. 5 gns

PLATT, Austin (1912–2003)

15. Book Plate (kindly lent).

Russom, Reginald. (1877–1952)

16. Prospectors. 1½ gns

17. The Pack Horse. 1½ gns

18. Taking Out the Kinks. 1½ gns

Baker, Alan Douglas (1914–1987)

19. Pencil Study of Nude. 7 gns

20. Head Study. 6 gns

Farmer, Helen. (1888–1970)

21. The broken gate. 1½ gns

22. The River Oak. 2 gns

PLATT, Austin (1912–2003)

23. Olive. 1½ gns

24. Congregational Church, Burwood. 5 gns

Gallop, Herbert. (1890–1958)

25. The old cottage, Meadowbank. 7 gns

Ingleton, Geoffrey. (1908–1998)

26. Storm driven. 3 gns

Hirst, G.W.L. (1868–1965)

27. An old land mark. 3 gns

28. From A Window In Balmain. 3 gns

29. White Horse Point. 3 gns

30. Drifting to Her Moorings. 3 gns

31. Evening. 3 gns

32. Morning Mist. 5 gns

PLATT, Austin (1912–2003)

33. 'Hutchins', Hobart. 1½ gns

34. Royal Exchange, Sydney 2 gns

ROBERTSON, Bruce (1872–1943)

35. A bend of the Williams River. 1½ gns

35a. Trees, Balmoral. 1 gn

36. Sydney from Harbour. 1½ gns

37. Old Jamieson Street, Sydney. 1½ gns

38. Palm Beach, Pittwater. 1½ gns

39. Williams River, Glenoak. 1½ gns

Emanuel, Cedric. (1906–1995)

40. Balmain Waterfront. 12 gns

41. Kilmore. 7 gns

42. Hobart. 15 gns

Baker, Alan Douglas (1914–1987)

43. Joe Holloway. 13 gns

44. A Sulky child. 12 gns

Ingleton, Geoffrey. (1908–1998)

45. Sea ruffians - The mutiny of the Bounty on the morning of 28th April, 1789. The ship seized by Fletcher Christian and his associates from Captain Bligh. 3 gns

46. Sea rivalry - Flinders' Investigator meets Baudin's Le Geographe in Encounter Bay, 7th April, 1802. 3 gns

Emanuel, Cedric. (1906–1995)

47. Timber Mills, South Coast. 2 gns

Hirst, G.W.L. (1868–1965)

48. Northbridge Hills. 3 gns

Langker, Erik. (1898–1982)

49. A river monarch. 10 gns

50. The river bank, Windsor. 4 gns

51. Sunlight Thru the Trees. 6 gns

52. Spring. 3 gns

Crisp, James. (1879–1962)

53. Chums. 5 gns

54. The Wood heap, Megalong Valley. 3 gns

Dattilo-Rubbo, Anthony. (1870–1955)

55. Drawing (in chalk and charcoal). 8 gns

Crisp, James. (1879–1962)

56. St. Mark's. 1 gn

Walker, F. Sidney. (1888–1972)

56a. Billabong in Riverina. 1 gn

Gallop, Herbert. (1890–1958)

57. Springtime. 8 gns

Walker, F. Sidney. (1888–1972)

58. Morning at Collaroy. 2 gns

Reid, Stuart. (1935–)

59. Tumbledown Avenue, Windsor. 8 gns

Hosking, W. John. (1930–)

60. A Pattern of Shadows. 3 gns

O'SHEA, Molly (1890–)

61. Boats at Berry's Bay. 1½ gns

62. Daisies. 1 gn

Hosking, W. John. (1930–)

63. The old stable. 3 gns

64. On the North Coast. 3 gns

65. Fig Trees. 3 gns

66. Newcastle Headlands. 4 gns

Coglan, Elaine E. (1897–1989)

67. The Girl. 2 gns

68. Pencil Portrait. 2 gns

69. A Digger. 5 gns

RICHARDS, B.

69a. Sunshine and shadow. 2½ gns

69b. In An Old Garden, Ryde. 3 gns

Dwyer, Ella. (1887–1979)

70. Shady depths. 2 gns

71. Mornlight Sunlight. 1 gn

Watkins, J.S. (1866–1942)

72. Pencil Drawing. 25 gns

73. Head of an old man.

74. Study of head.

75. Semi Nude. 30 gns

Farleigh, John. (1900–1965)

76. Capture of the Irishman. 3½ gns

77. Black girl and the artist. 4 gns

78. Milk Thistle. 3½ gns

79. The Boy David. 3½ gns

Ingleton, Geoffrey. (1908–1998)

80. Zeehan, Shooting the Sun. 3 gns

81. Botany Bay 'Welcome' - The Endeavour coming to anchor 29th April, 1770. Capt. Cook had nothing but praise for the stauch little cat-built bark Endeavour. 3 gns

Chambers, Alfred. (1930–)

82. The Windswept Coast. 3 gns

83. The Early Moon. 2 gns

Thorpe, Lesbia. (1919–2009)

85. Head Study. 3 gns

86. Candles. 5 gns

87. The Invalid. 5 gns

COWDROY, Vic (1908–)

88. Portrait sandgrain. 7 gns

Parsons, Alice Mary. (1863–1939)

88. Swamp Oaks. 1½ gns

89. Rain Clouds. 1½ gns

Gallop, Herbert. (1890–1958)

90. Old Manildra. 2 gns

91. Pike's Farm, Manildra. 3 gns

92. Ti-trees. 10 gns

93. Along Victoria Road, Dundas. 6 gns

94. Mandadgery Creek. 3 gns

COWDROY, Vic (1908–)

95. King's Cross (Design for Mural). 6 gns

96. Study in Chalk. 2½ gns

97. A Study in Chalk. 2½ gns

Parsons, Alice Mary. (1863–1939)

98. Winter Trees in Parramatta Park. 1½ gns

99. Nocturne. 1 gn

Coglan, Elaine E. (1897–1989)

100. The model. 3 gns

Dwyer, Ella. (1887–1979)

101. Bookplates -.

Farleigh, John. (1900–1965)

102. The black girl and King Richard. 2½ gns

103. The Black girl. 4 gns

104. Hemlock. 4 gns

105. Birch Trees. 2½ gns

Ingleton, Geoffrey. (1908–1998)

106. Dawn and aweigh - The Supply leaving Botany Bay for Port Jackson, 25th January, 1788, with Captain Phillip aboard. 3 gns

107. Seekers - Dampier's Roebuck, in Shark Bay, 11th Aug., 1699. The first British Warship to arrive in Australian waters. 3 gns

Chambers, Alfred. (1930–)

108. The Edge of the Dunes. 2 gns

109. A Southerly Off the Coast. 5 gns

ROBERTSON, Bruce (1872–1943)

110. Merewether Lagoon, Newcastle. 2 gns

111. Rue de L'Cordelias, Dinan, France. 2 gns

112. The coming storm. 3 gns

113. Old Argyle Cut, Sydney. 2 gns

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

114. Rue de l'Cordonnerie, Dinan, France 10 gns

115. Waterloo Bridge, London. 2 gns

116. A Monarch of the Bush. 3 gns

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

117. Roadside trees 1½ gns

118. Arrival of the Australian Fleet. 4½ gns

McDonald, Sheila. (1902–1971)

119. Coral Trees in Winter. 3 gns

120. The lagoon, Lord Howe Island. 1½ gns

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

121. Bulletin Place, Sydney 1½ gns

122. Where the River Bends. 1½ gns

123. St. Paul's Cobbitty. 4 gns

124. Moonlight. 5 gns

125. Doorway, Old Government House, Parramatta. 2½ gns

126. Tumut Poplars. 5 gns

LINDSAY, Norman (1879–1969)

127. Title not known.

128. [No information provided].

129. Title not known.

Pratt, Douglas. (1900–1972)

130. Main Entrance, Sydney University.

131. The roadside pool.

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

132. The Sunlit Forge

133. Summer Shade -.

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

134. Gums on Monaro

LONG, Sydney (1871–1955)

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Morgan, Squire. (1886–1974)

146. Misty moonrise. 3 gns

147. The glade. 2 gns

148. Old Scots' Church. 3 gns

149. Old bullock dray. 3 gns

150. Roadside shanties. 3 gns

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

151. The lagoon, Dee Why 3 gns

152. Hawkesbury corn barn. 3 gns

153. Windswept Trees, Avoca. 1 gn

Walker, F. Sidney. (1888–1972)

154. The University, Sydney. 1 gn

155. Sydney. 1½ gns

156. The River, Tweed. 1½ gns

157. Newport. 2 gns

158. The timbered ridge. 3 gns.

159. Woodford. 3 gns

Hirst, G.W.L. (1868–1965)

160. Eventide. 4 gns

161. On the Parramatta River. 3 gns

162. St. Mary's Basilica, Sydney. 5 gns

163. The Convent, Rose Bay. 4 gns

164. Ball's Head. 3 gns

165. The Coal Mine. 3 gns

O'SHEA, Molly (1890–)

166. Reconstructing the Argyle. 1½ gns

Ingleton, Geoffrey. (1908–1998)

167. Safely moored in Sydney Cove. 3 gns

168. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 3 gns

169. Raked fore and aft. 3 gns

Peterson, Stuart. (1900–1976)

170. Cleaning Kumaras. 20 gns

171. Hauling the canoe log. 20 gns

172. Taranaki, The Mountain god. 15 gns

173. Papaka and Pupu. 30 gns

174. The Whanganui Taniwha. 10 gns

Crisp, James. (1879–1962)

175. Fishing boats, San Francisco Bay. 1½ gns

176. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns

177. Porch, St. Michael's Rose Bay. 2 gns

178. The old mill, Auckland, N.Z. 1½ gns

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

179. The gander. 1 gn.

Brodziak, Phyllis Ruby. (1916–1967)

180. The Stabbur, Norway. 3 gns

181. Iceland: 'The Midnight Sun'. 3 gns

O'SHEA, Molly (1890–)

182. Lennox Bridge, Parramatta. 1½ gns

Russom, Reginald. (1877–1952)

183. Cobb and Co. 2 gns

184. The Mail Goes Through. 2 gns

Emanuel, Cedric. (1906–1995)

185. A Rushcutter's Bay boatshed. 5 gns

186. Boatsheds, Mosman. 2 gns

187. Capel's boatshed, Ruschutter's Bay. 3 gns

188. Farm, Richmond. 2 gns

189. Old stable, Windsor, NSW. 1½ gns

190. Halvorsens. 5 gns

191. Idle Jinkers. 4 gns

Baker, Normand H. (1908–1955)

192. Bruce. 5 gns

193. Alan. 12 gns

Dwyer, Ella. (1887–1979)

194. Four O'Clocks sandgrain. 2 gns

195. Old Homes, Campbell Street. 1½ gns

196. Misty morning sandgrain. 2 gns | sandgrain

197. Gathering Storms, Mount Cook, N.Z. 1½ gns

198. Flamingoes, Taronga Park. 2 gns

199. Tree Fern at Sunset. 1½ gns

199a. Moonbeams. 1½ gns

ST JOHN, Ellis (1874–1949)

200. Roadmaker's Camp, N.S.W. 2 gns

201. Milson's Point, rom Old Railway yard. 2 gns

202. Sydney Harbour Bridge. 2 gns

203. The Thames from Chelsea Bridge. 2 gns

204. St. James' Doorway, Sydney. 2 gns

205. Milson's Point, Sydney. 1½ gns

206. Dawes Point, Sydney. 1½ gns

Russom, Reginald. (1877–1952)

207. Henry Lawson. 75 gns

OSBORNE, Malcolm (1880–1963)

208. Chinon Castle. 6 gns

209. Dordrecht. 8 gns

210. City Walls, Avignon. 6 gns

211. His Honor, Judge Parry. 8 gns

Fletcher, Hanslip. (1874–1955)

212. St. George's Chapel, Windsor. 15 gns

Gaskell, Percival. (1868–1934)

213. High tide. 8 gns

214. The Lake. 4 gns

215. The Black Island. 8 gns

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

216. Nude Study. 7 gns

Airy, Anna. (1882–1964)

217. Portrait of a boy. 5 gns

Hardie, Martin. (1875–1952)

218. The farm on the hilltop. 3 gns

219. The Market Place. 5 gns

220. Sunset at Slaughter. 3 gns

SHORT, Frank (1857–1945)

221. In Port Volundam. 7 gns

222. April Day in Kent. 8 gns | etching

Duff, J.R.K. (1862–1938)

223. False Fire. 3 gns

Annual Exhibition by the member of the Painter-Etchers' and Graphic Art Society of Australia

Venues

David Jones' Exhibition Galleries [Market St] (2 November 1938 – 17 November 1938)
Market Street, Sydney, New South Wales, Australia

Works

LONG, Sydney (1871–1955)

A Mill in Surry. £1.16.6 (framed); £1.11.6 (Unframed)

Willow Trees. £2.07.6 (framed); £2.02.0 (Unframed)

Fishing Boats. 4½ gns (Framed) 4 gns (Unframed)

Morgan, Squire. (1886–1974)

Hawkesbury corn barn. 3 gns

Roadside shanties. 3 gns

Kendall's residence, Fagan's Farm. Not For Sale

OSBORNE, Malcolm (1880–1963)

His Honor, Judge Parry. 8 gns

Dordrecht. 9 gns

Walker, F. Sidney. (1888–1972)

s d s d 77 The River pencil. Not For Sale

SHORT, Frank (1857–1945)

3. April Day in Kent. 8 gns

Morgan, Squire. (1886–1974)

6A. Bush Mother. 1 gn

LONG, Sydney (1871–1955)

10. St. Stephen's, Camperdown 4½ gns (Framed) 4 gns (Unframed)

11. The Boston Stump. 3½ gns (Framed) 3 gns (Unframed)

12. Petertavy Village, Devon. £2.16.6 (framed); £2.11.6 (Unframed)

13. The derelict. £3.07.6

14. Narrabeen Lake. 3½ gns (Framed) 3 gns (Unframed)

15. Reflected Mill. 4½ gns (Framed) 4 gns (Unframed)

16. Radnage Village. £2.07.6

Artist: LONG, Sydney | Title: Australian koalas | Date: 1928, after | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. Australian koalas 2 gns

Baker, Normand H. (1908–1955)

18. Holly pencil. 4 gns

19. Sid pencil. 12 gns

Emanuel, Cedric. (1906–1995)

20. A sunlit silo. 21/2-

21. Queen's Square, Sydney. edition of 4-

22. Slipways. edition of 2-

23. Drying the Canvas. edition of 2-

24. On the slips.

25. The Sunny Porch. 11/2-

26. Halvorsens.

COWDROY, Vic (1908–)

27. Red Chalk Study chalk. 2½ gns

Hosking, W. John. (1930–)

27A. The Sheltering Tree, Kiama Farm [pencil drawing]. 3 gns | pencil drawing

COWDROY, Vic (1908–)

28. No.2 Study brown chalk. 2½ gns

Hosking, W. John. (1930–)

28A. Old House, Pacific Highway, North Sydney [pencil drawing]. 4 gns | pencil drawing

Reid, Stuart. (1935–)

29. The church on the hill, Windsor [pen and wash]. £15.15.0 | pen and wash

WATERHOUSE, B.J. (–1965)

30. Houghton Mill, Hants pencil. 5 gns

31. Canterbury Cathedral, N.E. Transeft pencil. 8 gns

32. The Deanery, Winchester. 7 gns | pencil

33. Bride of Sighs, St. John's College, Cambridge pencil. 6 gns

34. Bingham's Melcombe, Dorset pencil. 4 gns

35. Veere, Zeeland pencil. 5 gns

Sheldon, Pearl. (1877–)

36. A Village in Bucks. 2 gns

WATERHOUSE, B.J. (–1965)

36. Rue Emile De Roth, Monaco [pencil]. 4 gns | pencil

37. The Conduit, Sherborne. 5 gns | pencil

Langker, Erik. (1898–1982)

38. Trees at Morning Pencil. 5 gns

39. From Greenwich Pencil. 6 gns

40. Coastal Trees Pencil. 5 gns

Dattilo-Rubbo, Anthony. (1870–1955)

40A. Convalescent charcoal. 12 gns

Pratt, Douglas. (1900–1972)

41. The Wollondilly, Burragorang pencil -. 5 gns

42. Farm sheds [pencil]. 5 gns.

43. Poplars near Yass pencil -. 5 gns

44. Ancients of Riverina [pencil]. 16 gns | pencil

45. Old Waratah House, Newcastle pencil -. 6 gns

46. Good, Green Acres of Riverina [pencil]. 7 gns

47. St. James, Sydney. 1½ gns (Framed) 2 gns (Unframed)

48. Near Narooma. 2 gns (Framed) 2 gns (Unframed)

49. Riverina Billabong. 2½ gns (Framed) 2 gns (Unframed)

THORNHILL, Dorothy (1910–1987)

50. Time Sketch sanguine 3 gns 78 Time Sketch pencil. 3 gns

Ingleton, Geoffrey. (1908–1998)

50A. Laus, homini. 3 gns

Coglan, Elaine E. (1897–1989)

51. Sleep crayon. 3 gns

Brodziak, Phyllis Ruby. (1916–1967)

52. Head Study pencil. 3 gns

Emanuel, Cedric. (1906–1995)

54. Cornucopia [pen and ink drawing]. Pen and ink drawing

Sheldon, Pearl. (1877–)

55. West Wycombe. 2 gns

Hirst, G.W.L. (1868–1965)

55A. The pathway. 3 gns | pencil

COWDROY, Vic (1908–)

58. Five-Minute Sketch charcoal. 2 gns

McDonald, Sheila. (1902–1971)

59. The Melting Furnace pen, ink and crayon Not for Sale Lent by Austral Bronze Co. Ltd.

Hirst, G.W.L. (1868–1965)

60. Brisbane General Hospital pencil. 3 gns

61. Misty morn. [pencil]. 4 gns

62. A Brisbane Jackeranda. [pencil]. 4 gns

Campbell, Fred. (1851–1930) and Hirst, G.W.L. (1868–1965)

63. The Quarry Stone Crusher pencil. 3 gns

Hirst, G.W.L. (1868–1965)

64. St. Augustine's Church, Balmain [pencil]. 3 gns | pencil

65. Keppel Falls, Victoria [pencil]. 4 gns | pencil

Dattilo-Rubbo, Anthony. (1870–1955)

66. Cobbers. [charcoal]. 15 gns | charcoal

Coglan, Elaine E. (1897–1989)

67. The Old Tree Near Cremorne Point [pencil]. 3 gns | pencil

68. The model. [pencil]. 4 gns

69. Towards the Gorge, Launceston, Tasmania pencil. 3 gns

70. Portrait pencil. 5 gns

Gallop, Herbert. (1890–1958)

71. The roadside. 3 gns | sepia

Baker, Alan Douglas (1914–1987)

72. School Boy pencil. 5 gns

THURLOW, Ernest (1920s )

73. Tom Hegerty's Shack, Study for etching. 6 gns | pencil and wash

Dattilo-Rubbo, Anthony. (1870–1955)

74. Old man charcoal. 15 gns

Gallop, Herbert. (1890–1958)

75. The country road [sepia]. 3 gns | sepia

Baker, Alan Douglas (1914–1987)

76. Chinese Girl pencil. 5 gns

THORNHILL, Dorothy (1910–1987)

79. The Bush, Galston pencil. 7 gns

Walker, F. Sidney. (1888–1972)

80. Sydney Cove pencil. Not For Sale

81. Bush Track [pencil]. not for sale | pencil

THORNHILL, Dorothy (1910–1987)

82. Girl Seated pencil. 2 gns

THURLOW, Ernest (1920s )

83. The Blackmsith's Shop pencil and wash 10 gns (Study Etching) for.

Gallop, Herbert. (1890–1958)

84. The Dundas Road sepia. 5 gns

Baker, Alan Douglas (1914–1987)

85. The Student oil. 10 gns

PUGMIRE, Harry (1938)

85A. Gloucester Island from Bowen, Q'land. [pencil]. 2 gns. | pencil

Baker, Alan Douglas (1914–1987)

86. Self Portrait. 10 gns | oil painting

87. Interior oil. 30 gns

88. The Reader oil. 12 gns

PUGMIRE, Harry (1938)

89. Trees, Bradley Head pencil. 2 gns

Walker, F. Sidney. (1888–1972)

90. Woodford House pen drawing. Not For Sale

91. Headlands of Narrabeen. £1.18.0 (framed); £1.11.6 (Unframed)

92. Evening Shadows. £1.07.0

Coglan, Elaine E. (1897–1989)

93. Trees, Cremorne pencil. 2 gns

Dwyer, Ella. (1887–1979)

Artist: Dwyer, Ella. | Title: Afternoon shade. | Date: (1938) | Technique: etching, printed in brown ink with plate-tone, from one plate

94. Afternoon shade. £1.01.6

95. A Windy Headland. £2.02.7 | sandgrain

96. Four Book Plates. not for sale | etchings

97. Moon Lily (Legend) sandgrain. £2 17 6

SHORT, Frank (1857–1945)

98. South Coast Road. Lent by B.J. Waterhouse, Esq.

Gilett, Frank. (1874–1927)

99. Next Pair Out Kindly lend by B.J. Waterhouse, Esq.

STRANG, Ian (1886–1952)

101. San gil Burgos Lent by B.J. Waterhouse, Esq.

Lee Hankey, William. (1869–1952)

103. Montreine Church Not for Sale Lent by B.J. Waterhouse, Esq.

Harvey, Herbert. (1884–1924)

104. Motherhood Kindly lent by B.J. Waterhouse, Esq.

STRANG, William (1859–1921)

105. Church of Regneville Lent by B.J. Waterhouse, Esq.

Austin, Robert. (1825–1905)

106. Woman of Scanna. Lent by B.J. Waterhouse, Esq.

Harvey, Herbert. (1884–1924)

108. The falconer.

Brangwyn, Frank. (1867–1956)

109. Gateway, Avila. Lent by B.J. Waterhouse, Esq.

Harvey, Herbert. (1884–1924)

110. Rinaldo " " " " " ".

Cameron, D.Y. (1865–1945)

111. Carrilands Lent by B.J. Waterhouse, Esq.

Whistler, James McNeill. (1834–1903)

112. Liverdun Lent by B.J. Waterhouse, Esq. Not For Sale

Coffey, Alfred. (1869–1950)

113. Steps, Gloucester Street. 5 gns (framed); 4 gns (unframed)

114. The mouth of the creek. 3 gns (framed); 2½ gns (unframed).

115. The Chapel, St. John's College, Sydney University. 5 gns (Framed) 4 gns (Unframed)

116. Half Wooden House, Gas Lane, Old Sydney. 2 gns (framed); 1½ gns (framed)

117. Doorway, Sydney University. 1½ gns (framed); 2 gns (unframed)

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

118. Argyle cut, old Sydney. 5 gns (Framed); 4 gns (unframed)

119. Clyde Street, Miller's Point, Old Sydney. 5 gns (Framed); 4 gns (unframed)

120. The wooden bridge to Pyrmont, old Sydney. not for sale | etching

Baker, Normand H. (1908–1955)

121. The Shawl chalk. 12 gns

RICHARDS, B.

122. Stepping Stones, Jamberoo pencil. 2 gns

Brodziak, Phyllis Ruby. (1916–1967)

123. 'Toria pencil. 1½ gns

Dattilo-Rubbo, Anthony. (1870–1955)

124. Charocal Drawing. 10 gns

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Northern shipbuilding | Date: 1938 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

125. Northern shipbuilding £3.03.0 (framed); £2.10.0 (Unframed)

Artist: TRAILL, Jessie | Title: Down under, Newcastle | Date: 1938 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

126. Down under, Newcastle £2.02.0 (framed); £1.10.0 (Unframed)

Dattilo-Rubbo, Anthony. (1870–1955)

127. Meditation [charcoal]. 10 gns

Finey, George. (1895–1987)

128. Judge Backhouse.

129. The Refugees.

130. The Crimson Path.