The old barn.

A.H. Fullwood (1863–1930)

The old barn.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Catalogue of the Christmas Exhibition of the Painter- Etchers' Society [1925].

Venues

Farmer & Company (30 November 1925 – 12 December 1925)

Works

Airy, Anna. (1882–1964)

1. The Reader. £3.03.0 (unmounted, unframed)

2. King Pippin. £3.03.0 (unmounted, unframed)

Anderson, Stanley. (1884–1966)

3. Bush House From The Strand. £3.13.6 (unmounted, unframed)

4. St. George's, Hanover Square. £3.13.6 (unmounted, unframed)

5. Covent Garden Market. £3.13.6 (unmounted, unframed)

6. Landlopers. £3.03.0 (unmounted, unframed)

Ashton, Will. (1881–1963)

7. Rodney Lane, Ilfracombe, England. £2.02.0 (unmounted, unframed)

8. Old bridge, Ayr, Scotland. £3.03.0 (unmounted, unframed)

9. "Eglise St. Nicholas Du Chardonnet", Paris. £3.03.0 (unmounted, unframed)

10. Le Pont de Bois, Paris. £3.03.0 (unmounted, unframed)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

11. Ponte Vecchio, Florence £3.03.0 (unmounted, unframed)

Burridge, Fred. (1869–1945)

12. The west wind. £4.04.0 (unmounted, unframed)

13. Lancaster. £5.05.0 (unmounted, unframed)

14. Ghagford Bridge. £3.03.0 (unmounted, unframed)

15. The Mill in the Wirral. £3.03.0 (unmounted, unframed)

Crisp, James. (1879–1962)

17. The old mill, Auckland, N.Z. £1.11.6 (unmounted, unframed)

18. The intruder [1]. £2.02.0 (unmounted, unframed)

19. A glimpse. £1.11.6 (unmounted, unframed)

20. The Story. £1.11.6 (unmounted, unframed)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

21. Farm corner. £1.11.6 (unmounted, unframed)

22. Feathered Friends. 1.11.6 (unmounted, unframed) | All prices are for unmounted and unframed prints, duplicate prints are available in each instance.

Duff, J.R.K. (1862–1938)

23. Down to the Shearing. £3.03.0 (unmounted, unframed)

24. In Winter. £3.03.0 (unmounted, unframed)

25. Noisy Neighbours. £2.02.0 (unmounted, unframed)

26. King of The Castle. £2.02.0 (unmounted, unframed)

27. Too Much Rain. £2.02.0 (unmounted, unframed)

Emanuel, Frank. (1865–1948)

28. Little Hell Street, Dieppe. £3.13.6 (unmounted, unframed)

29. T'Auld Brig o' Ayr. £3.13.6 (unmounted, unframed)

Farmer, Helen. (1888–1970)

30. A river boat. £1.11.6 (unmounted, unframed)

31. In Mosman Bay. £2.02.0 (unmounted, unframed)

32. Cottage on The Hill. £1.01.0 (unmounted, unframed)

33. Deserted Tenement. £1.11.6 (unmounted, unframed)

34. A Timber Mill. £1.11.6 (unmounted, unframed)

35. The cowbail. £2.02.0 (unmounted, unframed)

36. The paddock gate. £3.03.0 (unmounted, unframed)

Friedensen, Thomas. (1879–1931)

37. Sydney Harbor from Athol Gardens. £3.03.0 (unmounted, unframed)

38. An old street in York. £2.02.0 (unmounted, unframed)

39. Molly. £1.11.6 (unmounted, unframed)

Artist: Friedensen, Thomas. | Title: Old Jimmy. | Date: 1925 | Technique: drypoint, printed in black ink, from one plate

40. Old Jimmy. £2.02.0 (unmounted, unframed)

41. Up-Country Farmer. £2.02.0 (unmounted, unframed)

42. An old English shepherd. £2.02.0 (unmounted, unframed)

43. Porch, Harfleur Church. £1.11.6 (unmounted, unframed)

44. Avenue, Harfleur, Normandy. £1.01.0 (unmounted, unframed)

45. Mediaeval Houses, Rouen (Drawing). £7.07.0 (unmounted, unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The country postman. | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

46. The country postman. £3.03.0 (unmounted, unframed)

47. Rowe Street, Sydney. £3.03.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

48. Sydney Harbour. £4.04.0 (unmounted, unframed)

49. Conservatorium of Music, Sydney. £3.03.0 (unmounted, unframed)

50. St. Joseph's College, Sydney. £3.03.0 (unmounted, unframed)

51. Wiseman's Ferry. £4.04.0 (unmounted, unframed)

52. Bowling Green, Ludlow - England's Oldest. £3.03.0 (unmounted, unframed)

53. Oxford. £3.03.0 (unmounted, unframed)

54. Old Sydney, 1890, Corner of Liverpool Street and Victoria Place. £2.02.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Macquarie Place, Sydney. | Date: c.1923 | Technique: etching, printed in blue/black ink with plate-tone, from one plate

55. Macquarie Place, Sydney. £4.04.0 (unmounted, unframed)

56. The old barn. £3.03.0 (unmounted, unframed)

Gaskell, Percival. (1868–1934)

57. Crowland Abbey. £3.03.0 (unmounted, unframed)

GOODCHILD, John (1898–1980)

58. The Bridge. £2.02.0 (unmounted, unframed)

59. Ships at rest. £2.02.0 (unmounted, unframed) | aquatint

60. After work. £2.02.0 (unmounted, unframed) | aquatint

61. Low Banks. £1.01.0 (unmounted, unframed)

62. Bush Light. £1.01.0 (unmounted, unframed)

63. Sydney, from Bradley's Head. £2.02.0 (unmounted, unframed) | softground

64. The smithy. £2.02.0 (unmounted, unframed)

65. Quiet afternoon, Port Adelaide. £4.04.0 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

66. Sundown. £2.02.0 (unmounted, unframed) | softground

GOODCHILD, John (1898–1980)

67. Desolation. £1.11.6 (unmounted, unframed)

68. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unmounted, unframed)

Hardie, Martin. (1875–1952)

69. The Sleepy Ferry. £6.06.0 (unmounted, unframed)

70. An Essex Boatyard. £4.04.0 (unmounted, unframed)

71. Sunset in Scotland. £4.04.0 (unmounted, unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

72. St. Paul's from the river £2.11.6 (unmounted, unframed)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

73. Porte Marechale, Bruges £2.11.6 (unmounted, unframed)

74. The Lake [softground]. £10.00.0 (unmounted, unframed) | Two proofs only - Plate Destroyed | softground etching

75. Landscape, Bucks. £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

76. Autumn landscape £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

77. Between the showers £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

78. A Cornish landscape £3.03.0 (unmounted, unframed) | softground & aquatint

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The little dutch mill £3.03.0 (unmounted, unframed) | drypoint

80. Kookaburras. £2.02.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. The passing storm £5.05.0 (unmounted, unframed) | aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Pastoral sandgrain £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

83. The harbour, St.Ives £3.03.0 (unmounted, unframed) | softground

Morgan, Squire. (1886–1974)

84. Sketch, Avoca. £1.01.0 (unmounted, unframed)

85. Miniature. £1.01.0 (unmounted, unframed)

86. The glade. £1.11.6 (unmounted, unframed)

87. The lakeside. £2.12.6 (unmounted, unframed)

88. Fagan's Farm. £2.02.0 (unmounted, unframed)

89. At Palm Beach. £3.03.0 (unmounted, unframed)

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

90. Ti trees £3.03.0 (unmounted, unframed)

91. Summer Shade. £3.03.0 (unmounted, unframed)

92. On the road to Tambourine, Queensland. £2.12.6 (unmounted, unframed)

93. The roadside shanty. £3.03.0 (unmounted, unframed)

OSBORNE, Malcolm (1880–1963)

94. My mother. £5.05.0 (unmounted, unframed)

95. Arthur. £3.03.0 (unmounted, unframed)

96. Tourks Market Place. £3.03.0 (unmounted, unframed)

97. Cherrac. £5.05.0 (unmounted, unframed)

RICHARDSON, Linley, H. (1878–1947)

98. Portrait of a little boy.

van RAALTE, Henri (1881–1929)

99. After the Bath.

RICHARDSON, Linley, H. (1878–1947)

100. A sunny morning.

101. Off to the Seaside.

102. Once Upon a Time.

ROBERTSON, Bruce (1872–1943)

103. Australian sunrise. £3.03.0 (unmounted, unframed)

104. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unmounted, unframed)

105. Australian Natives. £1.11.6 (unmounted, unframed)

106. Australian sunrise. £2.10.0 (unmounted, unframed)

107. On the Lane Cove, Sydney Harbour. £2.17.6 (unmounted, unframed)

108. Reflections Cook's River, N.S.W. £1.16.6 (unmounted, unframed)

109. The wave, Coogee, N.S.W. £1.01.0 (unmounted, unframed)

110. Fairy Bower, Manly, N.S.W. £1.11.6 (unmounted, unframed)

111. Old Bronte, Sydney, N.S.W. £1.05.0 (unmounted, unframed)

ROBINS, W.P. (1882–1959)

112. Monkton. £7.07.0 (unmounted, unframed)

SHIRLOW, John (1869–1936)

113. The Bank Door (Commercial Bank, Melb.). £3.03.0 (unmounted, unframed)

114. Nightfall. £2.02.0 (unmounted, unframed)

Artist: SHIRLOW, John | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

115. A bye-way, Flinders Lane. £2.02.0 (unmounted, unframed)

116. Morning, Central Station, Melbourne. £3.03.0 (unmounted, unframed)

117. Flinders Street. £2.02.0 (unmounted, unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

118. Ambleside farmyard £3.03.0 (unmounted, unframed)

119. The country road. £3.03.0 (unmounted, unframed)

120. Rose's Mill, Mt Gilead. £5.05.0 (unmounted, unframed)

121. The Old Treasury. £4.04.0 (unmounted, unframed)

122. Macquarie Fields. £2.02.0 (unmounted, unframed)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

123. Washing day £2.02.0 (unmounted, unframed)

124. Farmyard, Clarendon. £2.02.0 (unmounted, unframed)

125. Ah Lum's Farm, Windsor. £5.05.0 (unmounted, unframed)

TRAILL, Jessie (1881–1967)

126. Big Building, Yallourn. £6.06.0 (unmounted, unframed)

127. Super Great Power House. £5.05.0 (unmounted, unframed)

Walker, F. Sidney. (1888–1972)

128. Dawes Point, (From McMahons Pt.). £1.11.6 (unmounted, unframed)

129. Milsons Point, September. £1.11.6 (unmounted, unframed)

130. Princes Bridge. £1.11.6 (unmounted, unframed)

131. Midsummer Noon. £1.11.6 (unmounted, unframed)

132. MacTaggart's Farm. £1.07.0 (unmounted, unframed)

133. At the top of the Ridge. £1.01.0 (unmounted, unframed)

134. The Headland, Newport. £1.01.0 (unmounted, unframed)

Warner, Alfred Edward. (1879–1968)

135. Bobadah. £3.03.0 (unmounted, unframed)

136. Martin's Farm. £2.02.0 (unmounted, unframed)

137. Main Entrance, St. Mary's Cathedral. £1.11.6 (unmounted, unframed)

138. On the road. £3.03.0 (unmounted, unframed)

139. Cultivation paddocks. £2.12.6 (unmounted, unframed)

140. The distant road. £2.12.6 (unmounted, unframed)

141. In Camp. £2.12.6 (unmounted, unframed)

Artist: Warner, Alfred Edward. | Title: Prawners | Date: 1935 | Technique: etching, printed in black ink with plate-tone, from one plate

142. Prawners £2.12.6 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

143. Sundown. £3.03.0 (unmounted, unframed)

Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Venues

Education Department Gallery (1 June 1926 – 1 July 1926)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Playmates. £1.11.6 (unframed) | drypoint

A Tit Bit. £1.11.6 (unframed) | etching

The old mill, Auckland, N.Z. £1.11.6 (unframed) | etching

The straggliers. £1.01.0 (unframed) | etching

A Favorite Spot. £2.02.0 (unframed) | etching

Feathered Friends. £1.11.6 (unframed) | etching

The Story. £1.11.6 (unframed) | etching

The intruder [2]. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Old and new bridges, from Emu Plains. £4.04.0 (unframed) | etching

10. The Gap, Sydney Heads. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

11. Stanwell Park. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

12. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

13. Wiseman's Ferry. £4.04.0 (unframed) | etching

14. The old barn. £3.03.0 (unframed) | out of print | etching

Farmer, Helen. (1888–1970)

15. A Wharf at Foster. £2.02.0 (unframed) | etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

16. Sunlit. £1.11.6 (unframed) | etching

17. Mid-day Shade*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

18. Boat sheds. £2.02.0 (unframed) | etching

19. A bend of the River. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

19. Elizabeth Bay Road, Elizabeth Bay. etching

Farmer, Helen. (1888–1970)

20. St. Phillips, Sydney. £1.11.6 (unframed) | etching

21. Deserted Tenement. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

22. Book Plate. etching

Warner, Alfred Edward. (1879–1968)

23. N.S.W. Border Farm. £3.13.6 (unframed) | etching

24. Clancy's Clearing. £3.13.6 (unframed) | etching

25. Circular Quay. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

26. Tinderie Sheds*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

27. The overflow waggon. £2.12.6 (unframed) | etching

28. Travelling Sheep. £1.11.6 (unframed) | etching

29. Moving Out. £1.11.6 (unframed) | etching

30. On the road to Condobolin. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

31. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

32. Sydney University*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

33. The road to Fairy Bower, Manly. £2.12.6 (unframed) | etching

34. The Old Blacksmith. £2.02.0 (unframed) | etching

35. A Belgian windmill. £2.02.0 (unframed) | etching

36. The Drover. £1.11.6 (unframed) | etching

37. Covent Garden Theatre, London. £2.02.0 (unframed) | etching

38. Bridge of Sighs, Venice. £2.12.6 (unframed) | etching

39. Old street, York. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

40. Circular Quay, Sydney £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The lake, Avoca £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

42. The Bridge. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Palm Beach £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Berry's Bay £3.03.0 (unframed) | etching

45. Old Sydney. £2.02.0 (unframed) | drypoint

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Station Square [1] £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

47. Old Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

48. The Lake. £10.10.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Beddington Corner £4.04.0 (unframed) | aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Bennett's End. Bucks £3.03.0 (unframed) | etching

51. Autumn. etching

52. Pastoral. etching

53. Chiddingstone*. £3.03.0 (unframed) | aquatint | Print available for members of the print collectors club.

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

54. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

55. Ambleside farmyard £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

56. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

57. The Old Treasury. £4.04.0 (unframed) | etching

58. A Reach of the Hawkesbury*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

59. Washing day £2.02.0 (unframed) | etching

60. Sydney from Bay Road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

61. Macquarie Fields. £2.02.0 (unframed) | etching

62. The country road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

63. Rose's Mill, Mt Gilead. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

64. The ocean's fringe, Narrabeen, N.S.W. £2.02.0 (unframed) | etching

65. On the North Coast, N.S.W. £1.11.6 (unframed) | etching

66. Pulbah Island, Lake Macquarie, N.S.W. £2.02.0 (unframed) | etching

67. Australian Backwater. £1.11.6 (unframed) | etching

68. Venetian courtyard. £1.01.0 (unframed) | etching

69. Australian sunrise. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

70. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching | *Print available for members of the print collectors club.

71. Old Bronte, Sydney, N.S.W. £1.05.0 (unframed) | etching

Ashton, Will. (1881–1963)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

72. Ponte Vecchio, Florence £3.03.0 (unframed) | etching

73. Pont St. Marie, Paris. £3.03.0 (unframed) | etching

74. The Canal Brescon Martigues, France. £3.03.0 (unframed) | etching

Scott, Eric. (1892–1978)

75. Fleury Meudon. £1.01.0 (unframed) | etching

76. St. Cloud. £1.01.0 (unframed) | etching

77. Willows. £1.01.0 (unframed) | etching

78. Pont National. £1.01.0 (unframed) | etching

79. St. Severin, Paris. £1.01.0 (unframed) | etching

80. St. Nicholas de Chardonnet. £2.02.0 (unframed) | etching

81. Le Pont Marie. £2.02.0 (unframed) | etching

82. Somme a Amiens. £2.02.0 (unframed) | etching

83. Vieux Chartres. £2.02.0 (unframed) | etching

84. St. Maclou, Rouen. £1.11.6 (unframed) | etching

85. Cour du Dragon, Paris. £1.11.6 (unframed) | etching

86. Shrine at Veuce, France. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

87. The Bank Door (Commercial Bank, Melb.). £3.13.6 (unframed) | etching

88. Princes Bridge, Melbourne. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

89. The old church at Dapto. £4.04.0 (unframed) | etching

90. A Country Road. £3.03.0 (unframed) | etching

91. The farm yard. £3.03.0 (unframed) | etching

92. At the Slip Rails -. etching

TRAILL, Jessie (1881–1967)

93. Meccano House, Yallourn. £5.05.0 (unframed) | etching

94. Work at Night, Yallourn. £2.02.0 (unframed) | etching

95. Harkaway Sunset. £2.02.0 (unframed) | etching

96. Trimming the Boiler. £1.01.0 (unframed) | etching

97. Into the Abyss, Brown Coal Mine. £1.01.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

98. The farmyard. £1.11.6 (unframed) | etching

99. Spreading Ti Trees. £1.11.6 (unframed) | etching

100. Quiet Pool. £1.01.0 (unframed) | etching

101. The drinking pool. £2.02.0 (unframed) | etching

102. The sawmill, Bateman's Bay. £1.01.0 (unframed) | etching

103. The old stable. £1.11.6 (unframed) | etching

104. The three gums. £1.11.6 (unframed) | etching

105. Swamp Ti Trees. £2.02.0 (unframed) | etching

106. Changing pastures. £1.11.6 (unframed) | etching

107. The lakeside. £4.04.0 (unframed) | etching

108. Swamp pastures. £2.02.0 (unframed) | etching

109. Farmsheds. £2.02.0 (unframed) | etching

110. White boatsheds. £2.02.0 (unframed) | etching

111. The old gateway. £2.02.0 (unframed) | etching

112. The deserted farm £1.11.6 (unframed) | etching

113. Into the shade. £1.11.6 (unframed) | etching

114. Canberra from Residency. £1.11.6 (unframed) | etching

115. Timbergetters. £1.11.6 (unframed) | etching

116. Sleepgetters. £1.01.0 (unframed) | etching

117. The lakeside. £2.02.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

118. Fort Denison £1.11.6 (unframed) | etching

119. Prince's Bridge. £1.11.6 (unframed) | etching

120. Milson's Point. £1.11.6 (unframed) | etching

121. Dawes Point. £1.11.6 (unframed) | etching

122. Midsummer Noon. £1.11.6 (unframed) | etching

123. McTaggart's Farm. £1.11.6 (unframed) | etching

124. The Home Pasture. £1.01.0 (unframed) | etching

Britton, Fred. (1889–1931)

125. On the Murray. £2.02.0 (unframed) | etching

126. The sunlit homestead. £3.03.0 (unframed) | etching

127. Old cottages at Goolwa. £2.02.0 (unframed) | etching

128. Cottage at Aldgate. £2.02.0 (unframed) | etching

129. A relic of the forties. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

130. The Quay, Duquesne. £5.05.0 (unframed) | etching

131. The ford, Salonica. £5.05.0 (unframed) | etching

132. Arnold Mason. £5.05.0 (unframed) | etching

133. Pickford Farm. £3.13.6 (unframed) | etching

134. The Old Quarry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

135. San Giovanni di Bellagio. £4.04.0 (unframed) | etching

136. The Ravaged Hillside. £4.04.0 (unframed) | etching

137. The Lonely Tower. £4.04.0 (unframed) | etching

138. Sunset, Ardgour. £4.04.0 (unframed) | etching

139. Stormy Water, Lake Linnbe. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

140. Marshland. £5.05.0 (unframed) | etching

141. Haymaking on the Waveney. £5.05.0 (unframed) | etching

142. Old cottage, Shoreham. £5.05.5 (unframed) | etching

SHORT, Frank (1857–1945)

143. A Yorkshire Dell. £12.12.0 (unframed) | etching

144. The Raft on the Rhine. £12.12.0 (unframed) | etching

145. Hobb's Hawth. £8.08.0 (unframed) | etching

146. Twixt Dawn and Day. £6.06.0 (unframed) | etching

Hardie, Martin. (1875–1952)

147. A Street in Chioggia. £4.04.0 (unframed) | etching

148. The East Coast. £4.04.0 (unframed) | etching

149. The picnic. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

150. Promise of a Hot Day. £5.05.0 (unframed) | etching

151. Traeth Bach. £4.04.0 (unframed) | etching

152. Evening. £4.04.0 (unframed) | etching

153. A March of Waters. £3.13.6 (unframed) | etching

154. Thunder weather. £3.03.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

155. Gracechurch Street, London. £3.03.0 (unframed) | etching

156. Land Lopers. £3.03.0 (unframed) | etching

158. The Hop Exchange after the Fire. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

159. Apple Blossom. £6.06.0 (unframed) | etching

160. Orchids. £4.04.0 (unframed) | etching