Dunster Galleries

Dunster Galleries | DUNSTER GALLERIES, The

(by 1925)

Commercial gallery. Located: Australia (SA).

WORKS 181 – 200 of 274 IMAGES ONLY

John Goodchild (1898–1980)

The barn.

(Adelaide, South Australia, Australi)

Fred Britton (1889–1931)

The barn.

etching

F. Millward Grey (1899–1957)

The Bather.

Thomas Friedensen (1879–1931)

The Belgian windmill.

M. Napier Waller (1893–1972)

The black cloak.

(1925)

linocut

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The blacksmith's shop, Ambleside | The blacksmith's shop

(1925)

etching

Thomas Friedensen (1879–1931)

The Breaking up of H.M.A.S. 'Australia'.

etching

Sydney Long (1871–1955)

The Bridge.

John Goodchild (1898–1980)

The Bridge.

(1925)

F. Millward Grey (1899–1957)

The broken strap.

John Goodchild (1898–1980)

The Carpenter's Shop.

Henri Van Raalte (1881–1929)

The Cathedral at Dawn.

etching

Artist: FEINT, Adrian | Title: The collector. | Date: (1925) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

The collector.

((1925))

etching

Helen Farmer (1888–1970)

The cottage on the hill.

etching

Sydney Ure Smith (1887–1949)

The country road.

Helen Farmer (1888–1970)

The cowbail.

John Goodchild (1898–1980)

The crane.

(1923)

F. Millward Grey (1899–1957)

The Dancing Girl.

Helen Farmer (1888–1970)

The derelict.

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The deserted selection. | The old hut.

(1923)

line-etching