Lennox Bridge, Parramatta.

Molly O'Shea (1890–)

Lennox Bridge, Parramatta.

(1930s)

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Australian Painter-Etchers Society. Annual Exhibition 1932.

Venues

Macleod Gallery (1 December 1932 – 17 December 1932)
Bulletin Buildings, 252 George St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. 1½ gns (unframed)

A Favorite Spot. 2 gns (unframed)

The intruder [1]. 1½ gns (unframed)

Follow the Leader. 1½ gns (unframed)

The Pigeon Cole. 1½ gns (unframed)

Boxall, d'Auvergne (1895–1944)

1. St. Peter's College, Adelaide. Not For Sale

2. Avignon [pencil drawing]. Not For Sale

3. St. Mark's, Venice. [pencil drawing]. Not For Sale

4. Silver Street, London. 3 gns (unframed)

Crisp, James. (1879–1962)

10. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns (unframed)

11. Young kookaburras [pencil drawing]. 2 gns (unframed) | pencil drawing

12. The conference. 1½ gns (unframed)

13. Magpies [pencil drawing]. 5 gns (unframed) | pencil drawing

Davies, L. Roy. (1897–1979)

14. Hawkesbury River. 1 gn (unframed)

15. Green and gold. 1 gn (unframed)

16. The Apothecary. Not For Sale

17. Mangrove Creek. 1 gn (unframed)

Artist: Davies, L. Roy. | Title: Forest lovers. | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

18. Forest lovers. 1 gn (unframed)

19. Burragorang. 1 gn (unframed)

20. The broken fence. 1 gn (unframed)

Dundas, Douglas. (1900–1981)

21. Ponte Vecchio, Florence. Not For Sale | dry point

Dwyer, Ella. (1887–1979)

22. A bend in the creek. 2 gns (unframed)

23. Pastoral, near Windsor. 2 gns (unframed)

24. Moonrise sandgrain. 1 gns (unframed)

25. Bookplate -.

Farmer, Helen. (1888–1970)

33. From Bradley's Head. 1½ gns (unframed)

Gallop, Herbert. (1890–1958)

37. South Coast Pastures. 2 gns (unframed)

38. Cattai Creek, Windsor. 2 gns (unframed)

39. The country road. 4 gns (unframed)

40. Old cottage, Ryde. 1 gn (unframed)

41. The Lake. 1½ gns (unframed)

42. Macquarie Shore. 1 gn (unframed)

43. The South Wind. 2 gns (unframed)

44. Mount Kiera, South Coast. 2 gns (unframed)

Godson, John Barclay. (1882–1957)

45. Self-Portrait.

46. Hilda. 5 gns (unframed)

47. Study for etching. 15 gns (unframed) | pencil drawing

48. Study for etching [pencil drawing].

49. After the ballet. 3 gns (unframed)

50. Engraved Bookplate.

51. Engraved Bookplate.

GOODCHILD, John (1898–1980)

52. Solitude. 3 gns (unframed)

53. Morning light and Ti-tree. 3 gns (unframed)

54. Otway Ranges. 4 gns (unframed)

55. Landscape, Otway Ranges. 5 gns (unframed)

56. Australian Summer Landscape. 4 gns (unframed)

57. Sydney Harbour Bridge. 5 gns (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

58. Banks of Arno 1½ gns (unframed)

59. Gums in sunlight. 2 gns (unframed)

60. The Rows, Chester pencil drawing. 7 gns (unframed)

61. Hastings [pencil drawing]. 7 gns (unframed) | pencil drawing.

62. Tied Up pencil drawing. 5 gns (unframed)

63. Banks and Ti-tree. 7 gns (unframed) | pencil drawing

Hilder, Bim. (1909–1990)

Artist: Hilder, Bim. | Title: The moderne pyramid. | Date: c.1930 | Technique: etching and aquatint, printed in black ink, from one plate

64. The moderne pyramid. 1 gn (unframed)

65. The Shallow Lake. 1 gn (unframed)

Morgan, Squire. (1886–1974)

70. Booral (The Roue of Koala Park). 1 gn (unframed)

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

71. The bush mother. 1 gn (unframed)

72. Moonrise. 2 gns (unframed)

O'Reilly, Brian. (1930–)

73. Captain Murray. 3 gns (unframed)

74. Portrait. 3 gns (unframed)

O'SHEA, Molly (1890–)

75. St. Matthew's, Windsor. 1 gn (unframed)

76. Trinity Church, Miller's Point. 1 gn (unframed)

77. Lennox Bridge, Parramatta. 1½ gns (unframed)

78. Boat building, Brookvale. 1 gn (unframed)

79. King's School Chapel, Parramatta. 2 gns (unframed)

80. King's School, Canterbury. 1 gn (unframed)

81. Old houses, Lower Fort Street. 1 gn (unframed)

82. The Bridge, September. 1½ gns (unframed)

Pratt, Douglas. (1900–1972)

83. Paddocks on the Plains. 3 gns (unframed)

Artist: Pratt, Douglas. | Title: Lennox Bridge, Parramatta | Date: 1932 | Technique: etching, printed in brown ink, from one plate

84. Lennox Bridge, Parramatta 2 gns (unframed)

85. The roadside pool. 1½ gns (unframed)

86. Queen's club. 2 gns (unframed)

87. The Cathedral, Armidale. 2 gns (unframed)

88. Ginahgulla. Not For Sale

89. Sydney Harbour Bridge, February. 2 gns (unframed)

90. Country Road, Baulkham Hills pencil drawing. 6 gns (unframed)

91. Avoca Lagoon [pencil drawing]. 7 gns (unframed)

92. Double Bay and Darling Point pencil drawing. 5 gns (unframed)

Reid, D.G. (1862–1933)

93. The White Mill. 1 gn (unframed)

94. Cloud Shadows. 2 gns (unframed)

Sheldon, Vincent. (1895–1945)

100. Haystack. 1½ gns (unframed)

101. The retreat, Glen Innes. 1½ gns (unframed)

102. Ploughing. 1½ gns (unframed)

103. Low Tide, Hamilton. 1½ gns (unframed)

104. Trout Stream, Glen Innes. 1½ gns (unframed)

105. Feeding time. 2 gns (unframed)

106. The old barn, Grafton Road. 1½ gns (unframed)

ST JOHN, Ellis (1874–1949)

107. Entrance, Sydney University. 1½ gns (unframed)

108. Argyle. 1 gn (unframed)

109. The Thames from Chelsea Bridge. 2 gns (unframed)

Tidswell, Quinton. (1910–1940)

110. Trees and Farm Sheds. 1 gn (unframed)

111. Bank of N.S.W., Windsor. 1 gn (unframed)

112. Demolitions. 1 gn (unframed)

113. Old buildings, George Street, Windsor. 2 gns. (unframed)

Warner, Ralph Malcolm. (1902–1966)

114. West Wind. 1 gn (unframed)

115. Evening mists, Lord Howe Island. 1 gn (unframed)

116. Lord Howe Island. 1½ gns (unframed)

117. Winter, Kosciusko. 2 gns (unframed)

118. The Birth of a Ship. 2 gns (unframed)

119. The still stream 1½ gns (unframed)

Walker, F. Sidney. (1888–1972)

120. Morning surf, Collaroy. 2 gns (unframed) | sandgrain

121. The Windjammer. 1½ gns (unframed)

122. Morning light, Sydney Harbour. 1½ gns (unframed)

123. The Murrumbidgee. 1 gn (unframed)

124. Billabong. 1 gn (unframed)

SHIRLOW, John (1869–1936)

125. Laneway, St Paul's Cathedral, Melbourne. 2 gns (unframed)

126. Prince's Bridge. 3½ gns (unframed)

127. Parliament House, Melbourne. 3 gns. (unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

128. The 'Black Horse' Richmond NSW. 5 gns (unframed)

Nathan, R.H. Jerrold. (1889–1979)

147. Jeannette. £2.02.0 (unframed)

148. Study of a head. £1.01.0 (unframed)

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Baker, Normand H. (1908–1955)

Pencil Study. 6 gns

Nude [drawing]. 5 gns | Drawing.

Self Portrait. 6 gns

Hirst, G.W.L. (1868–1965)

A harbour boat shed. 3 gns

Pratt, Douglas. (1900–1972)

Quiraing -.

Artist: Pratt, Douglas. | Title: Gums of the sunny south | Date: 1937 | Technique: etching, printed in black ink, from one plate

Gums of the sunny south 6 gns

Walker, F. Sidney. (1888–1972)

Bush track in Riverina. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

1. Foggy Night. 1 gns

2. Kalnes. 2 gns

Pratt, Douglas. (1900–1972)

10. Lyndhurst Gardens -.

11. Mt. Bimlow, Burragorang. 20 gns

12. St. Mary's, Sydney.

13. 'Laluma', Woollahra -.

Emanuel, Cedric. (1906–1995)

14. Hobart. 5 gns

PLATT, Austin (1912–2003)

15. Book Plate (kindly lent).

Russom, Reginald. (1877–1952)

16. Prospectors. 1½ gns

17. The Pack Horse. 1½ gns

18. Taking Out the Kinks. 1½ gns

Baker, Alan Douglas (1914–1987)

19. Pencil Study of Nude. 7 gns

20. Head Study. 6 gns

Farmer, Helen. (1888–1970)

21. The broken gate. 1½ gns

22. The River Oak. 2 gns

PLATT, Austin (1912–2003)

23. Olive. 1½ gns

24. Congregational Church, Burwood. 5 gns

Gallop, Herbert. (1890–1958)

25. The old cottage, Meadowbank. 7 gns

Ingleton, Geoffrey. (1908–1998)

26. Storm driven. 3 gns

Hirst, G.W.L. (1868–1965)

27. An old land mark. 3 gns

28. From A Window In Balmain. 3 gns

29. White Horse Point. 3 gns

30. Drifting to Her Moorings. 3 gns

31. Evening. 3 gns

32. Morning Mist. 5 gns

PLATT, Austin (1912–2003)

33. 'Hutchins', Hobart. 1½ gns

34. Royal Exchange, Sydney 2 gns

ROBERTSON, Bruce (1872–1943)

35. A bend of the Williams River. 1½ gns

35a. Trees, Balmoral. 1 gn

36. Sydney from Harbour. 1½ gns

37. Old Jamieson Street, Sydney. 1½ gns

38. Palm Beach, Pittwater. 1½ gns

39. Williams River, Glenoak. 1½ gns

Emanuel, Cedric. (1906–1995)

40. Balmain Waterfront. 12 gns

41. Kilmore. 7 gns

42. Hobart. 15 gns

Baker, Alan Douglas (1914–1987)

43. Joe Holloway. 13 gns

44. A Sulky child. 12 gns

Ingleton, Geoffrey. (1908–1998)

45. Sea ruffians - The mutiny of the Bounty on the morning of 28th April, 1789. The ship seized by Fletcher Christian and his associates from Captain Bligh. 3 gns

46. Sea rivalry - Flinders' Investigator meets Baudin's Le Geographe in Encounter Bay, 7th April, 1802. 3 gns

Emanuel, Cedric. (1906–1995)

47. Timber Mills, South Coast. 2 gns

Hirst, G.W.L. (1868–1965)

48. Northbridge Hills. 3 gns

Langker, Erik. (1898–1982)

49. A river monarch. 10 gns

50. The river bank, Windsor. 4 gns

51. Sunlight Thru the Trees. 6 gns

52. Spring. 3 gns

Crisp, James. (1879–1962)

53. Chums. 5 gns

54. The Wood heap, Megalong Valley. 3 gns

Dattilo-Rubbo, Anthony. (1870–1955)

55. Drawing (in chalk and charcoal). 8 gns

Crisp, James. (1879–1962)

56. St. Mark's. 1 gn

Walker, F. Sidney. (1888–1972)

56a. Billabong in Riverina. 1 gn

Gallop, Herbert. (1890–1958)

57. Springtime. 8 gns

Walker, F. Sidney. (1888–1972)

58. Morning at Collaroy. 2 gns

Reid, Stuart. (1935–)

59. Tumbledown Avenue, Windsor. 8 gns

Hosking, W. John. (1930–)

60. A Pattern of Shadows. 3 gns

O'SHEA, Molly (1890–)

61. Boats at Berry's Bay. 1½ gns

62. Daisies. 1 gn

Hosking, W. John. (1930–)

63. The old stable. 3 gns

64. On the North Coast. 3 gns

65. Fig Trees. 3 gns

66. Newcastle Headlands. 4 gns

Coglan, Elaine E. (1897–1989)

67. The Girl. 2 gns

68. Pencil Portrait. 2 gns

69. A Digger. 5 gns

RICHARDS, B.

69a. Sunshine and shadow. 2½ gns

69b. In An Old Garden, Ryde. 3 gns

Dwyer, Ella. (1887–1979)

70. Shady depths. 2 gns

71. Mornlight Sunlight. 1 gn

Watkins, J.S. (1866–1942)

72. Pencil Drawing. 25 gns

73. Head of an old man.

74. Study of head.

75. Semi Nude. 30 gns

Farleigh, John. (1900–1965)

76. Capture of the Irishman. 3½ gns

77. Black girl and the artist. 4 gns

78. Milk Thistle. 3½ gns

79. The Boy David. 3½ gns

Ingleton, Geoffrey. (1908–1998)

80. Zeehan, Shooting the Sun. 3 gns

81. Botany Bay 'Welcome' - The Endeavour coming to anchor 29th April, 1770. Capt. Cook had nothing but praise for the stauch little cat-built bark Endeavour. 3 gns

Chambers, Alfred. (1930–)

82. The Windswept Coast. 3 gns

83. The Early Moon. 2 gns

Thorpe, Lesbia. (1919–2009)

85. Head Study. 3 gns

86. Candles. 5 gns

87. The Invalid. 5 gns

COWDROY, Vic (1908–)

88. Portrait sandgrain. 7 gns

Parsons, Alice Mary. (1863–1939)

88. Swamp Oaks. 1½ gns

89. Rain Clouds. 1½ gns

Gallop, Herbert. (1890–1958)

90. Old Manildra. 2 gns

91. Pike's Farm, Manildra. 3 gns

92. Ti-trees. 10 gns

93. Along Victoria Road, Dundas. 6 gns

94. Mandadgery Creek. 3 gns

COWDROY, Vic (1908–)

95. King's Cross (Design for Mural). 6 gns

96. Study in Chalk. 2½ gns

97. A Study in Chalk. 2½ gns

Parsons, Alice Mary. (1863–1939)

98. Winter Trees in Parramatta Park. 1½ gns

99. Nocturne. 1 gn

Coglan, Elaine E. (1897–1989)

100. The model. 3 gns

Dwyer, Ella. (1887–1979)

101. Bookplates -.

Farleigh, John. (1900–1965)

102. The black girl and King Richard. 2½ gns

103. The Black girl. 4 gns

104. Hemlock. 4 gns

105. Birch Trees. 2½ gns

Ingleton, Geoffrey. (1908–1998)

106. Dawn and aweigh - The Supply leaving Botany Bay for Port Jackson, 25th January, 1788, with Captain Phillip aboard. 3 gns

107. Seekers - Dampier's Roebuck, in Shark Bay, 11th Aug., 1699. The first British Warship to arrive in Australian waters. 3 gns

Chambers, Alfred. (1930–)

108. The Edge of the Dunes. 2 gns

109. A Southerly Off the Coast. 5 gns

ROBERTSON, Bruce (1872–1943)

110. Merewether Lagoon, Newcastle. 2 gns

111. Rue de L'Cordelias, Dinan, France. 2 gns

112. The coming storm. 3 gns

113. Old Argyle Cut, Sydney. 2 gns

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

114. Rue de l'Cordonnerie, Dinan, France 10 gns

115. Waterloo Bridge, London. 2 gns

116. A Monarch of the Bush. 3 gns

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

117. Roadside trees 1½ gns

118. Arrival of the Australian Fleet. 4½ gns

McDonald, Sheila. (1902–1971)

119. Coral Trees in Winter. 3 gns

120. The lagoon, Lord Howe Island. 1½ gns

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

121. Bulletin Place, Sydney 1½ gns

122. Where the River Bends. 1½ gns

123. St. Paul's Cobbitty. 4 gns

124. Moonlight. 5 gns

125. Doorway, Old Government House, Parramatta. 2½ gns

126. Tumut Poplars. 5 gns

LINDSAY, Norman (1879–1969)

127. Title not known.

128. [No information provided].

129. Title not known.

Pratt, Douglas. (1900–1972)

130. Main Entrance, Sydney University.

131. The roadside pool.

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

132. The Sunlit Forge

133. Summer Shade -.

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

134. Gums on Monaro

LONG, Sydney (1871–1955)

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Morgan, Squire. (1886–1974)

146. Misty moonrise. 3 gns

147. The glade. 2 gns

148. Old Scots' Church. 3 gns

149. Old bullock dray. 3 gns

150. Roadside shanties. 3 gns

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

151. The lagoon, Dee Why 3 gns

152. Hawkesbury corn barn. 3 gns

153. Windswept Trees, Avoca. 1 gn

Walker, F. Sidney. (1888–1972)

154. The University, Sydney. 1 gn

155. Sydney. 1½ gns

156. The River, Tweed. 1½ gns

157. Newport. 2 gns

158. The timbered ridge. 3 gns.

159. Woodford. 3 gns

Hirst, G.W.L. (1868–1965)

160. Eventide. 4 gns

161. On the Parramatta River. 3 gns

162. St. Mary's Basilica, Sydney. 5 gns

163. The Convent, Rose Bay. 4 gns

164. Ball's Head. 3 gns

165. The Coal Mine. 3 gns

O'SHEA, Molly (1890–)

166. Reconstructing the Argyle. 1½ gns

Ingleton, Geoffrey. (1908–1998)

167. Safely moored in Sydney Cove. 3 gns

168. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 3 gns

169. Raked fore and aft. 3 gns

Peterson, Stuart. (1900–1976)

170. Cleaning Kumaras. 20 gns

171. Hauling the canoe log. 20 gns

172. Taranaki, The Mountain god. 15 gns

173. Papaka and Pupu. 30 gns

174. The Whanganui Taniwha. 10 gns

Crisp, James. (1879–1962)

175. Fishing boats, San Francisco Bay. 1½ gns

176. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns

177. Porch, St. Michael's Rose Bay. 2 gns

178. The old mill, Auckland, N.Z. 1½ gns

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

179. The gander. 1 gn.

Brodziak, Phyllis Ruby. (1916–1967)

180. The Stabbur, Norway. 3 gns

181. Iceland: 'The Midnight Sun'. 3 gns

O'SHEA, Molly (1890–)

182. Lennox Bridge, Parramatta. 1½ gns

Russom, Reginald. (1877–1952)

183. Cobb and Co. 2 gns

184. The Mail Goes Through. 2 gns

Emanuel, Cedric. (1906–1995)

185. A Rushcutter's Bay boatshed. 5 gns

186. Boatsheds, Mosman. 2 gns

187. Capel's boatshed, Ruschutter's Bay. 3 gns

188. Farm, Richmond. 2 gns

189. Old stable, Windsor, NSW. 1½ gns

190. Halvorsens. 5 gns

191. Idle Jinkers. 4 gns

Baker, Normand H. (1908–1955)

192. Bruce. 5 gns

193. Alan. 12 gns

Dwyer, Ella. (1887–1979)

194. Four O'Clocks sandgrain. 2 gns

195. Old Homes, Campbell Street. 1½ gns

196. Misty morning sandgrain. 2 gns | sandgrain

197. Gathering Storms, Mount Cook, N.Z. 1½ gns

198. Flamingoes, Taronga Park. 2 gns

199. Tree Fern at Sunset. 1½ gns

199a. Moonbeams. 1½ gns

ST JOHN, Ellis (1874–1949)

200. Roadmaker's Camp, N.S.W. 2 gns

201. Milson's Point, rom Old Railway yard. 2 gns

202. Sydney Harbour Bridge. 2 gns

203. The Thames from Chelsea Bridge. 2 gns

204. St. James' Doorway, Sydney. 2 gns

205. Milson's Point, Sydney. 1½ gns

206. Dawes Point, Sydney. 1½ gns

Russom, Reginald. (1877–1952)

207. Henry Lawson. 75 gns

OSBORNE, Malcolm (1880–1963)

208. Chinon Castle. 6 gns

209. Dordrecht. 8 gns

210. City Walls, Avignon. 6 gns

211. His Honor, Judge Parry. 8 gns

Fletcher, Hanslip. (1874–1955)

212. St. George's Chapel, Windsor. 15 gns

Gaskell, Percival. (1868–1934)

213. High tide. 8 gns

214. The Lake. 4 gns

215. The Black Island. 8 gns

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

216. Nude Study. 7 gns

Airy, Anna. (1882–1964)

217. Portrait of a boy. 5 gns

Hardie, Martin. (1875–1952)

218. The farm on the hilltop. 3 gns

219. The Market Place. 5 gns

220. Sunset at Slaughter. 3 gns

SHORT, Frank (1857–1945)

221. In Port Volundam. 7 gns

222. April Day in Kent. 8 gns | etching

Duff, J.R.K. (1862–1938)

223. False Fire. 3 gns